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Table of Contents

  1. Morphing Technologies, Changing Literacies: The Reshaping of Narrative in a Digital World
  2. Eileen Herbert-Goodall
  3. pp. 1-20
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0001
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  1. Unnatural Games?: Innovation and Generification of Natural and Unnatural Visual Effects in Dead Space and Alien: Isolation
  2. Daniel Schäbler
  3. pp. 21-38
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0021
  5. restricted access
  1. An Ontological Theory of Narrative Works: Storygame as Postclassical Literature
  2. Veli-Matti Karhulahti
  3. pp. 39-73
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0039
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  1. Books with Bodies: Narrative Progression in Chris Ware’s Building Stories
  2. Torsa Ghosal
  3. pp. 75-99
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0075
  5. restricted access
  1. (Mis)Reading Natalie: The Viewer’s Cognitive Processes and the Unreadable in Christopher Nolan’s Memento
  2. Katherine Weese
  3. pp. 101-127
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0101
  5. restricted access
  1. Editor’s Introduction
  2. Andreea Deciu Ritivoi
  3. pp. vii-xii
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  1. Contributors
  3. pp. 129-130
  4. DOI: https://doi.org/10.5250/storyworlds.7.1.0129
  5. restricted access