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In this Issue

Table of Contents

  1. Adventures in Hybrid Space
  2. Liz Solo
  3. pp. 8-13
  4. restricted access
  1. Spinning a National Imaginary
  2. Sarah Garton Stanley
  3. pp. 14-18
  4. restricted access
  1. Absent, Invisible, and Incoherent: Archiving Queer Women’s Performance Futurities
  2. Laine Zisman Newman
  3. pp. 19-24
  4. restricted access
  1. A Multicultural Stage
  2. Mumbi Tindyebwa
  3. pp. 25-29
  4. restricted access
  1. Digesting Hunter, Gatherer, Purveyor
  2. Eric Moschopedis, Mia Rushton
  3. pp. 30-33
  4. restricted access
  1. Dear Michael: A Letter from the Margins
  2. Donna-Michelle St. Bernard
  3. pp. 34-38
  4. restricted access
  1. Collaborative Producing
  2. Ravi Jain
  3. pp. 39-43
  4. restricted access
  1. The Poetics of Play
  2. Andy Moro
  3. pp. 44-48
  4. restricted access
  1. The Futures of Theatre Criticism
  2. Karen Fricker
  3. pp. 49-53
  4. restricted access
  1. 2030: Indigenous and Culturally Diverse Stories and Their Value to Society
  2. Corey Payette
  3. pp. 54-58
  4. restricted access
  1. Matter Matters: Performing a Stone in the Woods
  2. Mariah Horner, Grahame Renyk
  3. pp. 59-63
  4. restricted access
  1. Concord Floral
  2. Jordan Tannahill
  3. pp. 68-97
  4. restricted access
  1. Editorial
  2. J. Paul Halferty
  3. p. 98
  4. restricted access
  1. Charting Incommunicable Truths: The Ghosts of the Franklin Expedition
  2. Tracy C. Davis
  3. pp. 99-101
  4. restricted access
  1. The Metacritical Work of Autobiography in Performance
  2. Deirdre Heddon
  3. pp. 102-104
  4. restricted access
  1. Affective Theatres
  2. Jean-Marc Larrue
  3. pp. 105-106
  4. restricted access
  1. Taking the Measure of Nuit Blanche 2014: Students from Western University’s Inaugural Theatre Studies Cohort Reflect on Their Journey to Toronto’s All-Night Art Extravaganza
  2. Caitlin Austin, Kat Dos Santos, Sarah Gilpin, Minji (Rita) Kim, Jonas Trottier, Kim Solga
  3. pp. 107-110
  4. restricted access
  1. Introduction: Performance Futures
  2. Jenn Stephenson
  3. pp. 5-7
  4. restricted access
  1. Introduction
  2. Laura Levin
  3. pp. 65-67
  4. restricted access
  1. Where Is Theatre Going?
  2. Laura Levin, EmmaRose MacDonald
  3. pp. s1-s13
  4. restricted access

Previous Issue

Volume 162, Spring 2015

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Volume 164, 2015