1. The “Maruelous” Play of Marcus’s Rhetorical Artifice in Titus Andronicus
  2. Chikako D. Kumamoto
  3. pp. 13-39
  4. DOI: 10.1353/mml.2014.0012
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  1. “Caught Happy in a World of Misery”: Art and Leisure in To the Lighthouse
  2. Timothy Sutton
  3. pp. 61-90
  4. DOI: 10.1353/mml.2014.0002
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  1. The Art of Hybridity: Maryse Condé’s Tituba
  2. Gema Ortega
  3. pp. 113-136
  4. DOI: 10.1353/mml.2014.0006
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  1. The Future in the Pasture: Pastoral Precarity in George Saunders’s “Interior Gardens”
  2. Catherine Garnett
  3. pp. 137-162
  4. DOI: 10.1353/mml.2014.0008
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  1. Portrait of the Father as a Gay Man: A New Story About Gay Aging in Mike Mills’s Beginners
  2. Linda M. Hess
  3. pp. 163-183
  4. DOI: 10.1353/mml.2014.0011
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  1. The Vampire Film: Undead Cinema by Jeffrey Weinstock (review)
  2. Marja Mogk
  3. pp. 185-188
  4. DOI: 10.1353/mml.2014.0013
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  1. The Johns Hopkins Guide to Digital Media ed. by Marie-Laure Ryan, Lori Emerson, and Benjamin J. Robertson (review)
  2. Naomi Gades
  3. pp. 193-194
  4. DOI: 10.1353/mml.2014.0003
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  1. Nobody’s Business: Twenty-First Century Avant-Garde Poetics by Brian M. Reed (review)
  2. Sunny Chan
  3. pp. 195-198
  4. DOI: 10.1353/mml.2014.0005
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  1. Performing Authorship in the Nineteenth-Century Transatlantic Lecture Tour by Amanda Adams (review)
  2. Jacqueline H. Harris
  3. pp. 199-201
  4. DOI: 10.1353/mml.2014.0007
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  1. Introduction
  2. Samuel Cohen
  3. pp. 7-11
  4. DOI: 10.1353/mml.2014.0009
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  1. Notes on Contributors
  2. pp. 203-204
  3. DOI: 10.1353/mml.2014.0010
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