1. The Struggle Over Audiences in Postwar East German Film
  2. Stephen Brockmann
  3. pp. 5-16
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  1. From Midway to Korea!: John Ford and the De-Fused Documentary
  2. J. P. Telotte
  3. pp. 17-24
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  1. Sex Ratio, Socio-Sexuality, and the Emergence of the Femme Fatale in Classic French and American Film Noir
  2. Deborah Walker-Morrison
  3. pp. 25-37
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  1. Hollywood Über Alles: Seeing the Nazi in American Movies
  2. Geoffrey Cocks
  3. pp. 38-53
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  1. Exits and Entrances: Interviews with Seven Who Reshaped African-American Images in Movies by Frank Manchel (review)
  2. Peter C. Rollins, Seth Wood
  3. p. 55
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  1. Cinema Unchained: The Films of Quentin Tarantino by Brancati, Simona (review)
  2. Peter C. Rollins, Seth Wood
  3. pp. 55-56
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  1. The Leading Man: Hollywood and the Presidential Image by Burton W. Peretti (review)
  2. Amit Patel
  3. pp. 56-57
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  1. From Stage to Screen: Musical Films in Europe and United States (1927-1961) ed. by Massimiliano Sala (review)
  2. Malcolm Womack
  3. pp. 59-60
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  1. Go West, Young Women! The Rise of Early Hollywood by Hilary A. Hallett (review)
  2. Peter Catapano
  3. pp. 60-61
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  1. Celluloid Activist: The Life and Times of Vito Russo by Michael Schiavi (review)
  2. Chloe Benson
  3. pp. 62-63
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  1. Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917 by Moya Luckett (review)
  2. Deborah Allison
  3. pp. 64-65
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  1. Rule of Thumb: Ebert at the Movies by Todd Rendleman (review)
  2. Zachary Ingle
  3. pp. 68-69
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  1. The Oliver Stone Encyclopedia ed. by James M. Welsh and Donald M. Whaley (review)
  2. Zachary Ingle
  3. pp. 69-70
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  1. Ghetto Voices in Contemporary German Culture: Textscapes, Filmscapes. Soundscapes by Stehle, Maria (review)
  2. Bill Fech
  3. pp. 70-71
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  1. Land of Smoke and Mirrors: A Cultural History of Los Angeles by Vincent Brook (review)
  2. Richard John Ascárate
  3. pp. 73-75
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  1. Five Came Back: A Story of Hollywood and the Second World War by Harris, Mark (review)
  2. David B. Jones
  3. pp. 79-81
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  1. Raoul Walsh: The True Adventures of Hollywood’s Legendary Director by Moss, Marilyn Ann (review)
  2. David B. Jones
  3. pp. 81-82
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  1. Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China by Haomin Gong (review)
  2. Huike Wen
  3. pp. 82-83
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  1. Detour by Noah Isenberg (review)
  2. Maureen Rogers
  3. pp. 83-85
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  1. Making Patton: A Classic War Film’s Epic Journey to the Silver Screen by Nicholas Evan Sarantakes (review)
  2. Jeffrey Crean
  3. pp. 85-86
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  1. A New History of German Cinema ed. by Jennifer M. Kapczynski and Michel D. Richardson (review)
  2. Leslie Ortquist-Ahrens
  3. pp. 87-88
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  1. Popular Trauma Culture: Selling the Pain of Others in the Mass Media by Anne Rothe (review)
  2. Karyn Ball
  3. pp. 88-90
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  1. Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911-1973 by Kim R. Holston (review)
  2. James H. Krukones
  3. pp. 90-92
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  1. Blockbuster History in the New Russia: Movies, Memory, and Patriotism by Stephen M. Norris (review)
  2. James H. Krukones
  3. pp. 92-93
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  1. Screen Jesus: Portrayals of Christ in Television and Film by Peter Malone (review)
  2. Phil Robins
  3. pp. 93-94
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  1. M*A*S*H by David Scott Diffrient (review)
  2. Ron Briley
  3. pp. 94-96
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  1. The IRA on Film and Television: A History by Mark Connelly (review)
  2. Ron Briley
  3. pp. 96-97
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  1. Millennial Masculinity: Men in Contemporary American Cinema ed. by Timothy Shary (review)
  2. Russell Sheaffer
  3. pp. 97-99
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  1. Creating the Witness: Documenting Genocide on Film, Video, and the Internet by Leshu Torchin (review)
  2. Johnathan H. Pope
  3. pp. 99-100
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  1. Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood by Yiman Wang (review)
  2. Jinhua Li
  3. pp. 100-102
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  1. Film in the Middle East and North Africa: Creative Dissidence ed. by Josef Gugler (review)
  2. Rea Amit
  3. pp. 102-104
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  1. Stardust Monuments: The Saving and Selling of Hollywood by Alison Trope (review)
  2. Phillipp Keidl
  3. pp. 104-106
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  1. Stardom, Italian Style: Screen Performance and Personality in Italian Cinema by Marcia Landy (review)
  2. Joseph North
  3. pp. 108-109
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  1. Studying French Cinema by Isabelle Vanderschelden (review)
  2. Kathryn A. Murphy-Judy
  3. pp. 110-111
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  1. Oxford Dictionary of Film Studies by Annette Kuhn & Guy Westwell (review)
  2. Sylvie Magerstädt
  3. pp. 111-112
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  1. Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano (review)
  2. Patrick A. Terry
  3. pp. 113-114
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  1. First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-1946 by Jeremy Hicks (review)
  2. Victoria Grace Walden
  3. pp. 114-116
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  1. From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century by Scholz, Anne-Marie (review)
  2. Frans Weiser
  3. pp. 116-118
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  1. Ex-Cinema: From a Theory of Experimental Film and Video by Akira Mizuta Lippit (review)
  2. Swagato Chakravorty
  3. pp. 118-120
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  1. The West Wing (TV Milestone Series) by Janet McCabe (review)
  2. Dianah Wynter
  3. pp. 57-59
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