In this Issue

Table of Contents

The Struggle Over Audiences in Postwar East German Film

Stephen Brockmann
pp. 5-16
DOI: https://doi.org/10.1353/flm.2015.a589134
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From Midway to Korea!: John Ford and the De-Fused Documentary

J. P. Telotte
pp. 17-24
DOI: https://doi.org/10.1353/flm.2015.a589135
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Sex Ratio, Socio-Sexuality, and the Emergence of the Femme Fatale in Classic French and American Film Noir

Deborah Walker-Morrison
pp. 25-37
DOI: https://doi.org/10.1353/flm.2015.a589136
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Hollywood Über Alles: Seeing the Nazi in American Movies

Geoffrey Cocks
pp. 38-53
DOI: https://doi.org/10.1353/flm.2015.a589137
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Exits and Entrances: Interviews with Seven Who Reshaped African-American Images in Movies by Frank Manchel (review)

Peter C. Rollins, Seth Wood
p. 55
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Cinema Unchained: The Films of Quentin Tarantino by Brancati, Simona (review)

Peter C. Rollins, Seth Wood
pp. 55-56
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The Leading Man: Hollywood and the Presidential Image by Burton W. Peretti (review)

Amit Patel
pp. 56-57
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From Stage to Screen: Musical Films in Europe and United States (1927-1961) ed. by Massimiliano Sala (review)

Malcolm Womack
pp. 59-60
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Go West, Young Women! The Rise of Early Hollywood by Hilary A. Hallett (review)

Peter Catapano
pp. 60-61
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Celluloid Activist: The Life and Times of Vito Russo by Michael Schiavi (review)

Chloe Benson
pp. 62-63
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Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917 by Moya Luckett (review)

Deborah Allison
pp. 64-65
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From Grain to Pixel: The Archival Life of Film in Transition by Giovanna Fossati, and: Saving Cinema: The Politics of Preservation by Caroline Frick, and: The Past is a Moving Picture: Preserving the Twentieth Century on Film by Jana Jones (review)

Liz Czach
pp. 65-68
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Rule of Thumb: Ebert at the Movies by Todd Rendleman (review)

Zachary Ingle
pp. 68-69
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The Oliver Stone Encyclopedia ed. by James M. Welsh and Donald M. Whaley (review)

Zachary Ingle
pp. 69-70
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Ghetto Voices in Contemporary German Culture: Textscapes, Filmscapes. Soundscapes by Stehle, Maria (review)

Bill Fech
pp. 70-71
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From Rajahs and Yogis to Gandhi and Beyond: Images of India in International Films of the Twentieth Century by Vijaya Mulay (review)

Richard John Ascárate
pp. 72-73
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Land of Smoke and Mirrors: A Cultural History of Los Angeles by Vincent Brook (review)

Richard John Ascárate
pp. 73-75
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A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897-1941 by Hamid Naficy, and: Volume 2: The Industrializing Years, 1941-1978 by Hamid Naficy, and: Volume 3: The Islamicate Period, 1978-1984 by Hamid Naficy, and: Volume 4: The Globalizing Era, 1984-2010 by Hamid Naficy (review)

Richard John Ascárate
pp. 75-79
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Five Came Back: A Story of Hollywood and the Second World War by Harris, Mark (review)

David B. Jones
pp. 79-81
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Raoul Walsh: The True Adventures of Hollywood’s Legendary Director by Moss, Marilyn Ann (review)

David B. Jones
pp. 81-82
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Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China by Haomin Gong (review)

Huike Wen
pp. 82-83
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Detour by Noah Isenberg (review)

Maureen Rogers
pp. 83-85
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Making Patton: A Classic War Film’s Epic Journey to the Silver Screen by Nicholas Evan Sarantakes (review)

Jeffrey Crean
pp. 85-86
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A New History of German Cinema ed. by Jennifer M. Kapczynski and Michel D. Richardson (review)

Leslie Ortquist-Ahrens
pp. 87-88
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Popular Trauma Culture: Selling the Pain of Others in the Mass Media by Anne Rothe (review)

Karyn Ball
pp. 88-90
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Movie Roadshows: A History and Filmography of Reserved-Seat Limited Showings, 1911-1973 by Kim R. Holston (review)

James H. Krukones
pp. 90-92
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Blockbuster History in the New Russia: Movies, Memory, and Patriotism by Stephen M. Norris (review)

James H. Krukones
pp. 92-93
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Screen Jesus: Portrayals of Christ in Television and Film by Peter Malone (review)

Phil Robins
pp. 93-94
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M*A*S*H by David Scott Diffrient (review)

Ron Briley
pp. 94-96
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The IRA on Film and Television: A History by Mark Connelly (review)

Ron Briley
pp. 96-97
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Millennial Masculinity: Men in Contemporary American Cinema ed. by Timothy Shary (review)

Russell Sheaffer
pp. 97-99
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Creating the Witness: Documenting Genocide on Film, Video, and the Internet by Leshu Torchin (review)

Johnathan H. Pope
pp. 99-100
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Remaking Chinese Cinema: Through the Prism of Shanghai, Hong Kong, and Hollywood by Yiman Wang (review)

Jinhua Li
pp. 100-102
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Film in the Middle East and North Africa: Creative Dissidence ed. by Josef Gugler (review)

Rea Amit
pp. 102-104
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Stardust Monuments: The Saving and Selling of Hollywood by Alison Trope (review)

Phillipp Keidl
pp. 104-106
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Screening the Dark Side of Love ed. by Karen A. Ritzenhoff and Karen Randell, and: The Writer on Film: Screening Literary Authorship ed. by Judith Buchanan (review)

Laurence Raw
pp. 106-108
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Stardom, Italian Style: Screen Performance and Personality in Italian Cinema by Marcia Landy (review)

Joseph North
pp. 108-109
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Studying French Cinema by Isabelle Vanderschelden (review)

Kathryn A. Murphy-Judy
pp. 110-111
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Oxford Dictionary of Film Studies by Annette Kuhn & Guy Westwell (review)

Sylvie Magerstädt
pp. 111-112
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Japanese Cinema in the Digital Age by Mitsuyo Wada-Marciano (review)

Patrick A. Terry
pp. 113-114
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First Films of the Holocaust: Soviet Cinema and the Genocide of the Jews, 1938-1946 by Jeremy Hicks (review)

Victoria Grace Walden
pp. 114-116
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From Fidelity to History: Film Adaptations as Cultural Events in the Twentieth Century by Scholz, Anne-Marie (review)

Frans Weiser
pp. 116-118
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Ex-Cinema: From a Theory of Experimental Film and Video by Akira Mizuta Lippit (review)

Swagato Chakravorty
pp. 118-120
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The West Wing (TV Milestone Series) by Janet McCabe (review)

Dianah Wynter
pp. 57-59
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