Project MUSE - Confluencia: Revista Hispánica de Cultura y Literatura-Volume 30, Number 3, Special Edition 2015

Guest Editor’s Note

pp. 2-4

DOI: https://doi.org/10.1353/cnf.2015.0023

Elias Rivers at Dartmouth: The 1950s

Robert H. Russell

pp. 5-6

DOI: https://doi.org/10.1353/cnf.2015.0026

Elias L. Rivers, An Appreciation

Ray Green

pp. 7-10

DOI: https://doi.org/10.1353/cnf.2015.0029

Hernando de Talavera on Conduct: Cultural Hegemony in Post-Conquest Granada

Mark D. Johnston

pp. 11-22

DOI: https://doi.org/10.1353/cnf.2015.0031

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The Socio-Historical Context of Montemayor’s Diana

Bruno M. Damiani

pp. 23-33

DOI: https://doi.org/10.1353/cnf.2015.0033

Boscán, Garcilaso, and the Fortunes of Friendship

Anne J. Cruz

pp. 34-50

DOI: https://doi.org/10.1353/cnf.2015.0020

“Tu dulce habla, ¿en cúya oreja suena?”: Cuerpo, intimidad y voz en la égloga primera de Garcilaso

Inés Azar

pp. 51-59

DOI: https://doi.org/10.1353/cnf.2015.0022

Lyric Ruptures: Góngora’s Soledad primera, Lines 222–232

Emilie L. Bergmann

pp. 60-68

DOI: https://doi.org/10.1353/cnf.2015.0025

A Squire’s Schooling: The Education of Sancho Panza

G. Cory Duclos

pp. 69-85

DOI: https://doi.org/10.1353/cnf.2015.0028

“Ayre, agua, fuego y tierra”: The Four Elements and Musical Harmony in Calderón’s Celos aun del aire matan

Timothy M. Foster

pp. 86-97

DOI: https://doi.org/10.1353/cnf.2015.0030

“All I Have To Do Is Dream”: Practices of Deception in the Early Modern Spanish Sonnet

Edward H. Friedman

pp. 98-116

DOI: https://doi.org/10.1353/cnf.2015.0032

Blending Christological Images: José Cayetano Padilla’s The Sacred Heart of Jesus as the Good Shepherd

Joseph F. Chorpenning

pp. 117-135

DOI: https://doi.org/10.1353/cnf.2015.0019

Doña Perfecta: Política, sexo y literatura en dos restauraciones borbónicas

John H. Sinnigen

pp. 136-148

DOI: https://doi.org/10.1353/cnf.2015.0021

Anachronism and Baroque Abandon: Carpentier’s, Cortázar’s, and Botero’s Decolonial Columns

Monique Roelofs, Norman S. Holland

pp. 149-166

DOI: https://doi.org/10.1353/cnf.2015.0024

Translations and Poems in Honor of Elias L. Rivers

David Lee Garrison

pp. 167-177

DOI: https://doi.org/10.1353/cnf.2015.0027

ISSN	2328-6962
Print ISSN	0888-6091
Launched on MUSE	2015-07-29
Open Access	No

Confluencia: Revista Hispánica de Cultura y Literatura

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Volume 30, Number 3, Special Edition 2015

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Table of Contents

Guest Editor’s Note

Elias Rivers at Dartmouth: The 1950s

Elias L. Rivers, An Appreciation

Hernando de Talavera on Conduct: Cultural Hegemony in Post-Conquest Granada

The Socio-Historical Context of Montemayor’s Diana

Boscán, Garcilaso, and the Fortunes of Friendship

“Tu dulce habla, ¿en cúya oreja suena?”: Cuerpo, intimidad y voz en la égloga primera de Garcilaso

Lyric Ruptures: Góngora’s Soledad primera, Lines 222–232

A Squire’s Schooling: The Education of Sancho Panza

“Ayre, agua, fuego y tierra”: The Four Elements and Musical Harmony in Calderón’s Celos aun del aire matan

“All I Have To Do Is Dream”: Practices of Deception in the Early Modern Spanish Sonnet

Blending Christological Images: José Cayetano Padilla’s The Sacred Heart of Jesus as the Good Shepherd

Doña Perfecta: Política, sexo y literatura en dos restauraciones borbónicas

Anachronism and Baroque Abandon: Carpentier’s, Cortázar’s, and Botero’s Decolonial Columns

Translations and Poems in Honor of Elias L. Rivers

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