1. Editor’s Introduction
  2. Paula Marantz Cohen
  3. pp. v-vi
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Joseph Conrad Re-seen and Re-appointed

  1. Thinking Otherwise: Ethics and Politics in Joseph Conrad’s Under Western Eyes
  2. Rachel Hollander
  3. pp. 1-19
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  1. Inscriptions of Resistance in Joseph Conrad’s Heart of Darkness
  2. Charlie Wesley
  3. pp. 20-37
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  1. Revolutionary Temporality and Modernist Politics of Form: Reading Ngũgĩ wa Thiong’o Reading Joseph Conrad
  2. Taylor A. Eggan
  3. pp. 38-55
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  1. “Of Great Gabasidy”: Joseph Conrad’s Lord Jim and F. Scott Fitzgerald’s The Great Gatsby
  2. Jessica Martell, Zackary Vernon
  3. pp. 56-70
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Unconventional Uses of Modernist Aesthetics and Sociability

  1. “Heavy jokes”: Festive unpleasure in the interwar novel
  2. Naomi Milthorpe
  3. pp. 71-85
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  1. The Modernist Party as Pedagogy
  2. Kate McLoughlin
  3. pp. 86-98
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  1. Suffer the Little Vixens: Sex and Realist Terror in “Jazz Age” America
  2. Sheila Liming
  3. pp. 99-118
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  1. Nihilistic Femininity in the Early Twentieth Century: Allison Pease’s Modernism, Feminism, and the Culture of Boredom
  2. Ria Banerjee
  3. pp. 119-123
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  1. Do You Hear Them?: How the Twentieth Century Laughs
  2. K.M. Stutman
  3. pp. 124-128
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Outliers of the Harlem Renaissance

  1. Anne Spencer’s Feminist Modernist Poetics
  2. Jenny Hyest
  3. pp. 129-147
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  1. Transing: Resistance to Eugenic Ideology in Nella Larsen’s Passing
  2. Sami Schalk
  3. pp. 148-161
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  1. Desires Made Manifest: The Queer Modernism of Wallace Thurman’s Fire!!
  2. Matthew N. Hannah
  3. pp. 162-180
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  1. Langston Hughes’s “Ethics of Compromise”: A Review of Which Sin to Bear?
  2. Don James McLaughlin
  3. pp. 181-184
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