In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 32, Number 4, Winter 2014Table of Contents
pp. 377-399
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View “You Will Certainly Have Something that Will Give Great Pleasure, and Be a Marvel in Pittsburgh”: Henry Clay Frick and American Millionaires Living with Mechanical Music, 1872–1919
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“You Will Certainly Have Something that Will Give Great Pleasure, and Be a Marvel in Pittsburgh”: Henry Clay Frick and American Millionaires Living with Mechanical Music, 1872–1919
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pp. 400-422
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View Posthumously Live: Canon Formation at Jazz at Lincoln Center through the Case of Mary Lou Williams
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Posthumously Live: Canon Formation at Jazz at Lincoln Center through the Case of Mary Lou Williams
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Playing Apart as “Playing Together”: Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola
pp. 423-447
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View Playing Apart as “Playing Together”: Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola
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Playing Apart as “Playing Together”: Lou Harrison’s Threnody for Carlos Chávez for Gamelan and Viola
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pp. 448-474
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View Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music
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Justin Timberlake’s Two-Part Complementary Forms: Groove, Extension, and Maturity in Twenty-First-Century Popular Music
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pp. 475-477
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View Making the March King: John Philip Sousa’s Washington Years, 1854–1893 by Patrick Warfield (review)
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Making the March King: John Philip Sousa’s Washington Years, 1854–1893 by Patrick Warfield (review)
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pp. 481-488
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View Nine Inch Nails’ “Pretty Hate Machine.” by Daphne Carr, and: Michael Jackson’s “Dangerous.” by Susan Fast, and: Talking Heads’ “Fear of Music.” by Jonathan Lethem, and: Beastie Boys’ “Paul’s Boutique.” by Dan LeRoy, and: Let’s Talk about Love: Why Other People Have Such Bad Taste by Carl Wilson, and: James Brown’s “Live at the Apollo.” by Douglas Wolk (review)
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Nine Inch Nails’ “Pretty Hate Machine.” by Daphne Carr, and: Michael Jackson’s “Dangerous.” by Susan Fast, and: Talking Heads’ “Fear of Music.” by Jonathan Lethem, and: Beastie Boys’ “Paul’s Boutique.” by Dan LeRoy, and: Let’s Talk about Love: Why Other People Have Such Bad Taste by Carl Wilson, and: James Brown’s “Live at the Apollo.” by Douglas Wolk (review)
- Save Nine Inch Nails’ “Pretty Hate Machine.” by Daphne Carr, and: Michael Jackson’s “Dangerous.” by Susan Fast, and: Talking Heads’ “Fear of Music.” by Jonathan Lethem, and: Beastie Boys’ “Paul’s Boutique.” by Dan LeRoy, and: Let’s Talk about Love: Why Other People Have Such Bad Taste by Carl Wilson, and: James Brown’s “Live at the Apollo.” by Douglas Wolk (review)
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| ISSN | 1945-2349 |
|---|---|
| Print ISSN | 0734-4392 |
| Launched on MUSE | 2015-07-26 |
| Open Access | No |
