In this Issue

Table of Contents

Editor’s Introduction Spring 2015

Rebecca Rovit
pp. 5-6
DOI: https://doi.org/10.1353/dtc.2015.0014
restricted access

Articles

Pageants of Propaganda: The Ritual Theatre of Ed Bullins

Sharyn Emery
pp. 7-23
DOI: https://doi.org/10.1353/dtc.2015.0017
restricted access

Amiri Baraka’s Participatory and Ceremonial Theatre: From Mimesis to Methexis

Samy Azouz
pp. 25-41
DOI: https://doi.org/10.1353/dtc.2015.0002
restricted access

“Let me see you dance:” Ada “Bricktop” Smith, the Charleston, and Racial Commodification in Interwar France

Matthew McMahan
pp. 43-61
DOI: https://doi.org/10.1353/dtc.2015.0005
restricted access

Special Section: Performance and Consciousness

Peter Zazzali and Daniel Meyer-Dinkgräfe, Guest Editors

Introduction: Performance and Consciousness

Peter Zazzali
pp. 65-67
DOI: https://doi.org/10.1353/dtc.2015.0008
restricted access

Liveness: Phelan, Auslander, and After

Daniel Meyer-Dinkgräfe
pp. 69-79
DOI: https://doi.org/10.1353/dtc.2015.0011
restricted access

In Search of Merrick: Kinesthetic Empathy, Able-Bodiedness, and Disability Representation

Stanton B. Garner Jr.
pp. 81-103
DOI: https://doi.org/10.1353/dtc.2015.0013
restricted access

Notes Toward a Theory of Spectating

James Hamilton
pp. 105-125
DOI: https://doi.org/10.1353/dtc.2015.0016
restricted access

No Exit from the Gaze: Sartre’s Theory Facilitated Through Aspects of Meisner’s Practice

Caroline Heim, Christian Heim
pp. 127-145
DOI: https://doi.org/10.1353/dtc.2015.0001
restricted access

Bridging the Gap: Toward a Reunification of Actor Consciousness

Marc Silberschatz
pp. 147-169
DOI: https://doi.org/10.1353/dtc.2015.0004
restricted access

Book Reviews

Shakespeare’s Theatres and the Effects of Performance ed. by Farah Karim-Cooper and Tiffany Stern (review)

Joe Falocco
pp. 173-175
DOI: https://doi.org/10.1353/dtc.2015.0007
restricted access

The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond by Paul R. Laird (review)

Allison Gibbes
pp. 175-177
DOI: https://doi.org/10.1353/dtc.2015.0010
restricted access

The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)

Bethany D. Holmstrom
pp. 177-179
DOI: https://doi.org/10.1353/dtc.2015.0012
restricted access

Voice into Acting: Integrating Voice and the Stanislavski Approach by Christina Gutekunst and John Gillett (review)

Tom Marion
pp. 179-181
DOI: https://doi.org/10.1353/dtc.2015.0015
restricted access

Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott, and: Creating Musical Theatre: Conversations with Broadway Directors and Choreographers by Lyn Cramer (review)

Jim Williams
pp. 182-185
DOI: https://doi.org/10.1353/dtc.2015.0000
restricted access

Contemporary Mise en Scène: Staging Theatre Today by Patrice Pavis (review)

Megan Sanborn Jones, Elizabeth Lowe
pp. 185-187
DOI: https://doi.org/10.1353/dtc.2015.0003
restricted access

Murder Most Queer: The Homicidal Homosexual in the American Theater by Jordan Schildcrout (review)

Aaron C. Thomas
pp. 187-188
DOI: https://doi.org/10.1353/dtc.2015.0006
restricted access

List of Books Received

pp. 191-200
DOI: https://doi.org/10.1353/dtc.2015.0009
restricted access