restricted access   Volume 29, Number 2, Spring 2015

Table of Contents

Editor’s Introduction Spring 2015

pp. 5-6


Pageants of Propaganda: The Ritual Theatre of Ed Bullins

pp. 7-23

Amiri Baraka’s Participatory and Ceremonial Theatre: From Mimesis to Methexis

pp. 25-41

“Let me see you dance:” Ada “Bricktop” Smith, the Charleston, and Racial Commodification in Interwar France

pp. 43-61

Special Section: Performance and Consciousness

Peter Zazzali and Daniel Meyer-Dinkgräfe, Guest Editors

Introduction: Performance and Consciousness

pp. 65-67

Liveness: Phelan, Auslander, and After

pp. 69-79

In Search of Merrick: Kinesthetic Empathy, Able-Bodiedness, and Disability Representation

pp. 81-103

Notes Toward a Theory of Spectating

pp. 105-125

No Exit from the Gaze: Sartre’s Theory Facilitated Through Aspects of Meisner’s Practice

pp. 127-145

Bridging the Gap: Toward a Reunification of Actor Consciousness

pp. 147-169

Book Reviews

Shakespeare’s Theatres and the Effects of Performance ed. by Farah Karim-Cooper and Tiffany Stern (review)

pp. 173-175

The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond by Paul R. Laird (review)

pp. 175-177

The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)

pp. 177-179

Voice into Acting: Integrating Voice and the Stanislavski Approach by Christina Gutekunst and John Gillett (review)

pp. 179-181

Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott, and: Creating Musical Theatre: Conversations with Broadway Directors and Choreographers by Lyn Cramer (review)

pp. 182-185

Contemporary Mise en Scène: Staging Theatre Today by Patrice Pavis (review)

pp. 185-187

Murder Most Queer: The Homicidal Homosexual in the American Theater by Jordan Schildcrout (review)

pp. 187-188

List of Books Received

pp. 191-200