1. Pageants of Propaganda: The Ritual Theatre of Ed Bullins
  2. Sharyn Emery
  3. pp. 7-23
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  1. Amiri Baraka’s Participatory and Ceremonial Theatre: From Mimesis to Methexis
  2. Samy Azouz
  3. pp. 25-41
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  1. “Let me see you dance:” Ada “Bricktop” Smith, the Charleston, and Racial Commodification in Interwar France
  2. Matthew McMahan
  3. pp. 43-61
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  1. Liveness: Phelan, Auslander, and After
  2. Daniel Meyer-Dinkgräfe
  3. pp. 69-79
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  1. In Search of Merrick: Kinesthetic Empathy, Able-Bodiedness, and Disability Representation
  2. Stanton B. Garner Jr.
  3. pp. 81-103
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  1. Notes Toward a Theory of Spectating
  2. James Hamilton
  3. pp. 105-125
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  1. No Exit from the Gaze: Sartre’s Theory Facilitated Through Aspects of Meisner’s Practice
  2. Caroline Heim, Christian Heim
  3. pp. 127-145
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  1. Bridging the Gap: Toward a Reunification of Actor Consciousness
  2. Marc Silberschatz
  3. pp. 147-169
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  1. Shakespeare’s Theatres and the Effects of Performance ed. by Farah Karim-Cooper and Tiffany Stern (review)
  2. Joe Falocco
  3. pp. 173-175
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  1. The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond by Paul R. Laird (review)
  2. Allison Gibbes
  3. pp. 175-177
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  1. The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)
  2. Bethany D. Holmstrom
  3. pp. 177-179
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  1. Voice into Acting: Integrating Voice and the Stanislavski Approach by Christina Gutekunst and John Gillett (review)
  2. Tom Marion
  3. pp. 179-181
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  1. Contemporary Mise en Scène: Staging Theatre Today by Patrice Pavis (review)
  2. Megan Sanborn Jones, Elizabeth Lowe
  3. pp. 185-187
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  1. Murder Most Queer: The Homicidal Homosexual in the American Theater by Jordan Schildcrout (review)
  2. Aaron C. Thomas
  3. pp. 187-188
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  1. Editor’s Introduction Spring 2015
  2. Rebecca Rovit
  3. pp. 5-6
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  1. Introduction: Performance and Consciousness
  2. Peter Zazzali
  3. pp. 65-67
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  1. List of Books Received
  2. pp. 191-200
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