In this Issue

Table of Contents

Pageants of Propaganda: The Ritual Theatre of Ed Bullins

Sharyn Emery
pp. 7-23
DOI: https://doi.org/10.1353/dtc.2015.0017
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Amiri Baraka’s Participatory and Ceremonial Theatre: From Mimesis to Methexis

Samy Azouz
pp. 25-41
DOI: https://doi.org/10.1353/dtc.2015.0002
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“Let me see you dance:” Ada “Bricktop” Smith, the Charleston, and Racial Commodification in Interwar France

Matthew McMahan
pp. 43-61
DOI: https://doi.org/10.1353/dtc.2015.0005
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Liveness: Phelan, Auslander, and After

Daniel Meyer-Dinkgräfe
pp. 69-79
DOI: https://doi.org/10.1353/dtc.2015.0011
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In Search of Merrick: Kinesthetic Empathy, Able-Bodiedness, and Disability Representation

Stanton B. Garner Jr.
pp. 81-103
DOI: https://doi.org/10.1353/dtc.2015.0013
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Notes Toward a Theory of Spectating

James Hamilton
pp. 105-125
DOI: https://doi.org/10.1353/dtc.2015.0016
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No Exit from the Gaze: Sartre’s Theory Facilitated Through Aspects of Meisner’s Practice

Caroline Heim, Christian Heim
pp. 127-145
DOI: https://doi.org/10.1353/dtc.2015.0001
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Bridging the Gap: Toward a Reunification of Actor Consciousness

Marc Silberschatz
pp. 147-169
DOI: https://doi.org/10.1353/dtc.2015.0004
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Shakespeare’s Theatres and the Effects of Performance ed. by Farah Karim-Cooper and Tiffany Stern (review)

Joe Falocco
pp. 173-175
DOI: https://doi.org/10.1353/dtc.2015.0007
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The Musical Theater of Stephen Schwartz: From Godspell to Wicked and Beyond by Paul R. Laird (review)

Allison Gibbes
pp. 175-177
DOI: https://doi.org/10.1353/dtc.2015.0010
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The Pekin: The Rise and Fall of Chicago’s First Black-Owned Theater by Thomas Bauman (review)

Bethany D. Holmstrom
pp. 177-179
DOI: https://doi.org/10.1353/dtc.2015.0012
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Voice into Acting: Integrating Voice and the Stanislavski Approach by Christina Gutekunst and John Gillett (review)

Tom Marion
pp. 179-181
DOI: https://doi.org/10.1353/dtc.2015.0015
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Dinner with Lenny: The Last Long Interview with Leonard Bernstein by Jonathan Cott, and: Creating Musical Theatre: Conversations with Broadway Directors and Choreographers by Lyn Cramer (review)

Jim Williams
pp. 182-185
DOI: https://doi.org/10.1353/dtc.2015.0000
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Contemporary Mise en Scène: Staging Theatre Today by Patrice Pavis (review)

Megan Sanborn Jones, Elizabeth Lowe
pp. 185-187
DOI: https://doi.org/10.1353/dtc.2015.0003
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Murder Most Queer: The Homicidal Homosexual in the American Theater by Jordan Schildcrout (review)

Aaron C. Thomas
pp. 187-188
DOI: https://doi.org/10.1353/dtc.2015.0006
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Editor’s Introduction Spring 2015

Rebecca Rovit
pp. 5-6
DOI: https://doi.org/10.1353/dtc.2015.0014
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Introduction: Performance and Consciousness

Peter Zazzali
pp. 65-67
DOI: https://doi.org/10.1353/dtc.2015.0008
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List of Books Received

pp. 191-200
DOI: https://doi.org/10.1353/dtc.2015.0009
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