1. The Exhibition Context and the Contemporary Significance of Color: The Case of Kinemacolor
  2. Victoria Jackson
  3. pp. 1-21
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  1. Color Analysis for the Digital Restoration of Das Cabinet des Dr. Caligari
  2. Barbara Flueckiger
  3. pp. 22-43
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  1. We’ve Got Bigger Problems: Preservation during Eastman Color’s Innovation and Early Diffusion
  2. Heather Heckman
  3. pp. 44-61
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  1. Falling in (to) Color: Chromophilia and Tom Ford’s A Single Man (2009)
  2. Kirsten Moana Thompson
  3. pp. 62-84
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  1. Le Livre de fabrication de la compagnie générale des phonographes cinématographes et appareils de précision: The Pathé Frères Laboratory Logbook of Joinville-Le-Pont (1906–8)
  2. Céline Ruivo
  3. pp. 85-92
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  1. Hand-Painted Abstractions: Experimental Color in the Creation and Restoration of Ballet mécanique
  2. Rossella Catanese, Guy Edmonds, Bregt Lameris
  3. pp. 92-98
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  1. Kevin Brownlow on Film Color
  2. Victoria Jackson, Sarah Street
  3. pp. 99-103
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  1. On the Restoration History of Colored Silent Films in Germany: An Interview with Martin Koerber
  2. Bregt Lameris
  3. pp. 103-108
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  1. Spectrum Analysis: Discussing the Films of Paul Sharits with Bill Brand, Chris Hughes, John Klacsmann, and Andrew Lampert
  2. Federico Windhausen
  3. pp. 109-113
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  1. Films You Saw in School: A Critical Review of 1,153 Classroom Educational Films (1958–1985) in 74 Subject Categories by Geoff Alexander (review)
  2. Snowden Becker
  3. pp. 114-117
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  1. Screen Culture and the Social Question 1880–1914 ed. by Ludwig Vogl-Bienek, Richard Crangle (review)
  2. Cheryl C. Boots
  3. pp. 117-119
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  1. Amateur Filmmaking: The Home Movie, the Archive, the Web ed. by Laura Rascaroli, Gwenda Young, Barry Monahan (review)
  2. Dwight Swanson
  3. pp. 120-122
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  1. L’amore in città (review)
  2. Jeremy Carr
  3. pp. 123-125
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  1. Things to Come (review)
  2. Eliot Chayt
  3. pp. 125-128
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  1. On the Bowery: The Films of Lionel Rogosin, Volume I (review)
  2. Eric Lackey
  3. pp. 128-130
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  1. Color Plate Section
  3. pp. 131-146
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  1. Editors’ Foreword
  2. Susan Ohmer, Donald Crafton
  3. p. vii
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  1. Guest Editor’s Foreword: Restoring Color
  2. Joshua Yumibe
  3. pp. viii-xiii
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