Essays

  1. Making Distinctions: Economic and Cultural Capital in Willa Cather’s The Professor’s House
  2. Reginald Dyck
  3. pp. 365-384
  4. DOI: 10.1353/lit.2015.0034
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  1. Wallace Stevens and Racial Melancholy
  2. Brian Brodhead Glaser
  3. pp. 385-395
  4. DOI: 10.1353/lit.2015.0024
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  1. “It Couldn’t Be Robbery To Steal That”: Artistic Appropriation and Twain’s “Jumping Frog”
  2. Andrew Newman, Brandi So
  3. pp. 396-419
  4. DOI: 10.1353/lit.2015.0026
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  1. Spenser, Harvey, and the Strange Poetics of The Shepheardes Calender
  2. Andrew Wadoski
  3. pp. 420-441
  4. DOI: 10.1353/lit.2015.0028
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  1. The Screened Stages of Slavoj Žižek: The Surplus of the Real
  2. Rachel Joseph
  3. pp. 442-463
  4. DOI: 10.1353/lit.2015.0030
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  1. “Hybrid Vigor”: The Pillow Book and Collaborative Authorship in Ruth Ozeki’s My Year of Meats
  2. Leah Milne
  3. pp. 464-487
  4. DOI: 10.1353/lit.2015.0032
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  1. Mapping the Terrain of Black Writing during the Early New Negro Era
  2. A Yęmisi Jimoh
  3. pp. 488-524
  4. DOI: 10.1353/lit.2015.0033
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Book Reviews

  1. The Oxford Handbook of Greek and Roman Comedy ed. by Michael Fontaine, and Adele C. Scafuro (review)
  2. Timothy J. Moore
  3. pp. 525-527
  4. DOI: 10.1353/lit.2015.0035
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  1. Diasporas of the Mind: Jewish and Postcolonial Writing and the Nightmare of History by Bryan Cheyette (review)
  2. Caroline Rody
  3. pp. 528-531
  4. DOI: 10.1353/lit.2015.0025
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  1. Post-and Transhumanism: An Introduction ed. by Robert Ranisch, and Stefan Lorenz Sorgner (review)
  2. Michael Latorra
  3. pp. 532-535
  4. DOI: 10.1353/lit.2015.0027
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  1. Retraction Notice
  2. p. 536
  3. DOI: 10.1353/lit.2015.0029
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  1. Books Received
  2. pp. 537-538
  3. DOI: 10.1353/lit.2015.0031
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