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Table of Contents

  1. Urban Panopticism and Heterotopic Space in Kafka’s Der Process and Orwell’s Nineteen Eighty-Four
  2. Raj Shah
  3. pp. 701-723
  4. DOI: https://doi.org/10.13110/criticism.56.4.0701
  5. restricted access
  1. Gatsby’s Tattoo: Gesture, Tic, and Description
  2. Alex Benson
  3. pp. 725-759
  4. DOI: https://doi.org/10.13110/criticism.56.4.0725
  5. restricted access
  1. “We Fathom You Not—We Love You”: Walt Whitman’s Social Ontology and Radical Democracy
  2. Ryan Cull
  3. pp. 761-780
  4. DOI: https://doi.org/10.13110/criticism.56.4.0761
  5. restricted access
  1. The Great Criminal, the Exception, and Bare Life in James Joyce’s Ulysses
  2. Stephanie J. Brown
  3. pp. 781-805
  4. DOI: https://doi.org/10.13110/criticism.56.4.0781
  5. restricted access
  1. Diogenes the Cynic and Shakespeare’s Bitter Fool: The Politics and Aesthetics of Free Speech
  2. David Hershinow
  3. pp. 807-835
  4. DOI: https://doi.org/10.13110/criticism.56.4.0807
  5. restricted access
  1. Slavery’s Afterlife in Text and Image
  2. Kimberly Juanita Brown
  3. pp. 837-840
  4. DOI: https://doi.org/10.13110/criticism.56.4.0837
  5. restricted access
  1. Culture on the Move: Depression-Era Documentary and Migrant California
  2. Joseph Entin
  3. pp. 841-847
  4. DOI: https://doi.org/10.13110/criticism.56.4.0841
  5. restricted access
  1. Out of the Picture
  2. Erin Bell
  3. pp. 849-852
  4. DOI: https://doi.org/10.13110/criticism.56.4.0849
  5. restricted access
  1. Habits of Modernism
  2. Kate Stanley
  3. pp. 853-860
  4. DOI: https://doi.org/10.13110/criticism.56.4.0853
  5. restricted access
  1. Crafty Sailors, Unruly Seas: Margaret Cohen’s Oceanic History of the Novel
  2. Colin Dewey
  3. pp. 861-870
  4. DOI: https://doi.org/10.13110/criticism.56.4.0861
  5. restricted access