In this Issue

Table of Contents

A Note from the Guest Editor

Adrian Daub
pp. 1-6
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Massenpsychologie und Parsifal-Analyse

Brian Hyer
pp. 7-52
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Brünnhilde’s Lament: The Mourning Play of the Gods

Sigrid Weigel, Joel Golb
pp. 53-70
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Two Notes, One Ending (Three Operas) at the Boundary of the Great Divide; or, Aesthetic Meanderings of the Sonic Psyche

Richard Leppert
pp. 71-99
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Opera as Case History: Freud’s Dora, Strauss’s Salome, and the Perversity of Modern Life

Lawrence Kramer
pp. 100-115
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Wagner after Freud: Stages of Analysis

Tom Grey, Adrian Daub
pp. 116-133
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Lady in the Dark as Musical Talking Cure

Stephen Hinton
pp. 134-144
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Response to Peter Szendy’s Listen: A History of Our Ears

Holly Watkins
pp. 145-149
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