1. A Note from the Guest Editor
  2. Adrian Daub
  3. pp. 1-6
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  1. Massenpsychologie und Parsifal-Analyse
  2. Brian Hyer
  3. pp. 7-52
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  1. Brünnhilde’s Lament: The Mourning Play of the Gods
  2. Sigrid Weigel, Joel Golb
  3. pp. 53-70
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  1. Two Notes, One Ending (Three Operas) at the Boundary of the Great Divide; or, Aesthetic Meanderings of the Sonic Psyche
  2. Richard Leppert
  3. pp. 71-99
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  1. Opera as Case History: Freud’s Dora, Strauss’s Salome, and the Perversity of Modern Life
  2. Lawrence Kramer
  3. pp. 100-115
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  1. Wagner after Freud: Stages of Analysis
  2. Tom Grey, Adrian Daub
  3. pp. 116-133
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  1. Lady in the Dark as Musical Talking Cure
  2. Stephen Hinton
  3. pp. 134-144
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  1. Response to Peter Szendy’s Listen: A History of Our Ears
  2. Holly Watkins
  3. pp. 145-149
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