+ MUSE Alert

In this Issue

Table of Contents

Essays from the English Institute 2013: Form

  1. Introduction
  2. Frances Ferguson, John Brenkman
  3. pp. 313-318
  4. DOI: https://doi.org/10.1353/elh.2015.0014
  5. restricted access
  1. Why Medieval Lyric?
  2. Ardis Butterfield
  3. pp. 319-343
  4. DOI: https://doi.org/10.1353/elh.2015.0017
  5. restricted access
  1. “Imperfectly Civilized”: Ballads, Nations, and Histories of Form
  2. Meredith Martin
  3. pp. 345-363
  4. DOI: https://doi.org/10.1353/elh.2015.0020
  5. restricted access
  1. How To Do Things With Tunes
  2. Simon Jarvis
  3. pp. 365-383
  4. DOI: https://doi.org/10.1353/elh.2015.0023
  5. restricted access
  1. A Little Formalism
  2. Sandra Macpherson
  3. pp. 385-405
  4. DOI: https://doi.org/10.1353/elh.2015.0025
  5. restricted access
  1. Reframing Exposure: Natasha Trethewey’s Forms of Enclosure
  2. Meta Duewa Jones
  3. pp. 407-429
  4. DOI: https://doi.org/10.1353/elh.2015.0011
  5. restricted access
  1. Sir John Mandeville’s God(s)
  2. Theresa Tinkle
  3. pp. 431-460
  4. DOI: https://doi.org/10.1353/elh.2015.0013
  5. restricted access
  1. Wonder, Marvels, and Metaphor in the Squire’s Tale
  2. Michelle Karnes
  3. pp. 461-490
  4. DOI: https://doi.org/10.1353/elh.2015.0016
  5. restricted access
  1. “More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange
  2. Katherine Schaap Williams
  3. pp. 491-519
  4. DOI: https://doi.org/10.1353/elh.2015.0019
  5. restricted access
  1. Ophelia’s Loneliness
  2. Amelia Worsley
  3. pp. 521-551
  4. DOI: https://doi.org/10.1353/elh.2015.0022
  5. restricted access
  1. Andrew Marvell and the Epistemology of Carelessness
  2. David Carroll Simon
  3. pp. 553-588
  4. DOI: https://doi.org/10.1353/elh.2015.0024
  5. restricted access
  1. “Flying from the depravities of Europe, to the American Strand”: Chaucer and the Chaucer Tradition in Early America
  2. Nancy Bradley Warren
  3. pp. 589-613
  4. DOI: https://doi.org/10.1353/elh.2015.0010
  5. restricted access
  1. Frances Burney’s Theatricality
  2. Marcie Frank
  3. pp. 615-635
  4. DOI: https://doi.org/10.1353/elh.2015.0012
  5. restricted access
  1. The Itinerant “I”: John Clare’s Lyric Defiance
  2. Michael Nicholson
  3. pp. 637-669
  4. DOI: https://doi.org/10.1353/elh.2015.0015
  5. restricted access
  1. The Psychologization of Geological Catastrophe in Mary Shelley’s The Last Man
  2. Melissa Bailes
  3. pp. 671-699
  4. DOI: https://doi.org/10.1353/elh.2015.0018
  5. restricted access
  1. Moving accidents by flood and field”: The Arable and Tidal Worlds of George Eliot’s The Mill on the Floss
  2. Jayne Elisabeth Archer, Richard Marggraf Turley, Howard Thomas
  3. pp. 701-728
  4. DOI: https://doi.org/10.1353/elh.2015.0021
  5. restricted access