1. Why Medieval Lyric?
  2. Ardis Butterfield
  3. pp. 319-343
  4. DOI: 10.1353/elh.2015.0017
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  1. “Imperfectly Civilized”: Ballads, Nations, and Histories of Form
  2. Meredith Martin
  3. pp. 345-363
  4. DOI: 10.1353/elh.2015.0020
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  1. How To Do Things With Tunes
  2. Simon Jarvis
  3. pp. 365-383
  4. DOI: 10.1353/elh.2015.0023
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  1. A Little Formalism
  2. Sandra Macpherson
  3. pp. 385-405
  4. DOI: 10.1353/elh.2015.0025
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  1. Reframing Exposure: Natasha Trethewey’s Forms of Enclosure
  2. Meta Duewa Jones
  3. pp. 407-429
  4. DOI: 10.1353/elh.2015.0011
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  1. Sir John Mandeville’s God(s)
  2. Theresa Tinkle
  3. pp. 431-460
  4. DOI: 10.1353/elh.2015.0013
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  1. Wonder, Marvels, and Metaphor in the Squire’s Tale
  2. Michelle Karnes
  3. pp. 461-490
  4. DOI: 10.1353/elh.2015.0016
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  1. “More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange
  2. Katherine Schaap Williams
  3. pp. 491-519
  4. DOI: 10.1353/elh.2015.0019
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  1. Ophelia’s Loneliness
  2. Amelia Worsley
  3. pp. 521-551
  4. DOI: 10.1353/elh.2015.0022
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  1. Andrew Marvell and the Epistemology of Carelessness
  2. David Carroll Simon
  3. pp. 553-588
  4. DOI: 10.1353/elh.2015.0024
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  1. “Flying from the depravities of Europe, to the American Strand”: Chaucer and the Chaucer Tradition in Early America
  2. Nancy Bradley Warren
  3. pp. 589-613
  4. DOI: 10.1353/elh.2015.0010
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  1. Frances Burney’s Theatricality
  2. Marcie Frank
  3. pp. 615-635
  4. DOI: 10.1353/elh.2015.0012
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  1. The Itinerant “I”: John Clare’s Lyric Defiance
  2. Michael Nicholson
  3. pp. 637-669
  4. DOI: 10.1353/elh.2015.0015
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  1. The Psychologization of Geological Catastrophe in Mary Shelley’s The Last Man
  2. Melissa Bailes
  3. pp. 671-699
  4. DOI: 10.1353/elh.2015.0018
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  1. Introduction
  2. Frances Ferguson, John Brenkman
  3. pp. 313-318
  4. DOI: 10.1353/elh.2015.0014
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