In this Issue

Table of Contents

Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory

Maria M. Delgado
pp. 177-196
DOI: https://doi.org/10.1353/tj.2015.0042
free access

Unseen Labor and Backstage Choreographies: A Materialist Production History of A Chorus Line

Christin Essin
pp. 197-212
DOI: https://doi.org/10.1353/tj.2015.0048
restricted access

Redefining America, Arena Stage, and Territory Folks in a Multiracial Oklahoma!

Donatella Galella
pp. 213-233
DOI: https://doi.org/10.1353/tj.2015.0054
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Transcultural Consumption through a “Queer” Narrative: Douglas Maxwell’s Our Bad Magnet in Seoul

Claire Maria Chambers
pp. 235-252
DOI: https://doi.org/10.1353/tj.2015.0060
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Anonymous Is a Woman: The New Politics of Identification in Magical and Untitled Feminist Show

Miriam Felton-Dansky
pp. 253-271
DOI: https://doi.org/10.1353/tj.2015.0066
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Poised at the Threatening Edge: Feeling the Future in Medieval Last Judgment Performances

Jill Stevenson
pp. 273-293
DOI: https://doi.org/10.1353/tj.2015.0034
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Seeing Broadly: A Cultural Omnivore’s Menu

Jill Dolan
pp. 295-309
DOI: https://doi.org/10.1353/tj.2015.0040
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Foreign Affairs Festival (review)

Ralf Remshardt
pp. 311-314
DOI: https://doi.org/10.1353/tj.2015.0046
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Theatertreffen 2014 (review)

Ljubiša Matić
pp. 314-318
DOI: https://doi.org/10.1353/tj.2015.0052
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Kindertotenlieder created by Gisèle Vienne (review)

Andrew Friedman
pp. 319-320
DOI: https://doi.org/10.1353/tj.2015.0058
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Operetta Burlesque by Emma Dante (review)

Francesca Spedalieri
pp. 320-322
DOI: https://doi.org/10.1353/tj.2015.0064
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Intérieur by Maurice Maeterlinck (review)

Christine Sustek Williams
pp. 323-324
DOI: https://doi.org/10.1353/tj.2015.0070
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Hedda Gabler by Henrik Ibsen (review)

Laurence Raw
pp. 324-326
DOI: https://doi.org/10.1353/tj.2015.0038
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Blood Wedding by Federico García Lorca (review)

Anna Stavrakopoulou
pp. 326-328
DOI: https://doi.org/10.1353/tj.2015.0044
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The James Plays by Rona Munro (review)

Sarah Thomasson
pp. 328-332
DOI: https://doi.org/10.1353/tj.2015.0050
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Can’t Forget About You by David Ireland (review)

Eleanor Owicki
pp. 332-333
DOI: https://doi.org/10.1353/tj.2015.0056
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Aristocrats by Brian Friel, and: The Price by Arthur Miller (review)

Jay Malarcher
pp. 333-336
DOI: https://doi.org/10.1353/tj.2015.0062
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Sunday in the Park with George by Stephen Sondheim and James Lapine (review)

Ray Schultz
pp. 336-338
DOI: https://doi.org/10.1353/tj.2015.0068
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Since I Suppose (review)

Lauren Beck
pp. 338-340
DOI: https://doi.org/10.1353/tj.2015.0035
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Well, I Think You’re Beautiful, Philadelphia created and performed by Lauren Weedman (review)

James Bunzli
pp. 340-341
DOI: https://doi.org/10.1353/tj.2015.0041
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Ernest Shackleton Loves Me by Joe DiPietro (review)

Robert L. Neblett
pp. 341-343
DOI: https://doi.org/10.1353/tj.2015.0047
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Dulcey and Roxy At City Hall: A Play for the Theater of Arrhythmic Bullshit by Maksym Kurochkin (review)

Jessica Hinds-Bond
pp. 343-346
DOI: https://doi.org/10.1353/tj.2015.0053
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Notes from the Frontier: Digital Scholarship and the Future of Theatre Studies

Debra Caplan
pp. 347-359
DOI: https://doi.org/10.1353/tj.2015.0059
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The Mind-Body Stage: Passion and Interaction In the Cartesian Theater by R. Darren Gobert (review)

William Egginton
pp. 361-362
DOI: https://doi.org/10.1353/tj.2015.0065
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Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir (review)

David Kornhaber
pp. 362-363
DOI: https://doi.org/10.1353/tj.2015.0033
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Refugee Performance: Practical Encounters ed. by Michael Balfour (review)

D. Soyini Madison
pp. 363-365
DOI: https://doi.org/10.1353/tj.2015.0039
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Acts of Desire: Women and Sex On Stage, 1800–1930 by Sos Eltis (review)

Penny Farfan
pp. 365-366
DOI: https://doi.org/10.1353/tj.2015.0045
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(Re)Constructing Maternal Performance In Twentieth-Century American Drama by L. Bailey McDaniel (review)

Jozefina Komporaly
pp. 366-367
DOI: https://doi.org/10.1353/tj.2015.0051
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Contemporary Women Playwrights: Into the Twenty-First Century ed. by Penny Farfan and Lesley Ferris (review)

Leah Lowe
pp. 367-369
DOI: https://doi.org/10.1353/tj.2015.0057
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Staging England In the Elizabethan History Play: Performing National Identity by Ralf Hertel (review)

Patrick J. Murray
pp. 369-370
DOI: https://doi.org/10.1353/tj.2015.0063
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Burnt Cork: Traditions and Legacies of Blackface Minstrelsy ed. by Stephen Johnson (review)

Shane Breaux
pp. 370-371
DOI: https://doi.org/10.1353/tj.2015.0069
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Class Divisions On the Broadway Stage: the Staging and Taming of the I.W.W. by Michael Schwartz (review)

Chrystyna Dail
pp. 371-373
DOI: https://doi.org/10.1353/tj.2015.0037
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Stanislavsky: A Life In Letters ed. by Laurence Senelick (review)

Maria Ignatieva
pp. 373-374
DOI: https://doi.org/10.1353/tj.2015.0043
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Dramas of the Past On the Twentieth-Century Stage: In History’s Wings by Alexander Feldman (review)

Jenn Stephenson
pp. 374-375
DOI: https://doi.org/10.1353/tj.2015.0049
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The Routledge Companion to Puppetry and Material Performance ed. by Dassia N. Posner, Claudia Orenstein, and John Bell (review)

Heather Denyer
pp. 375-376
DOI: https://doi.org/10.1353/tj.2015.0055
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Fighting For Recognition: Identity, Masculinity, And The Act Of Violence In Professional Wrestling by R. Tyson Smith (review)

Eero Laine
pp. 376-377
DOI: https://doi.org/10.1353/tj.2015.0061
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Doctoral Projects in Progress in Theatre Arts, 2015

Andrew Gibb, James Beekman Bush, Amanda Espinoza
pp. 383-389
DOI: https://doi.org/10.1353/tj.2015.0067
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Editorial Comment

Joanne Tompkins
pp. ix-xi
DOI: https://doi.org/10.1353/tj.2015.0036
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