1. Memory, Silence, and Democracy in Spain: Federico García Lorca, the Spanish Civil War, and the Law of Historical Memory
  2. Maria M. Delgado
  3. pp. 177-196
  4. DOI: 10.1353/tj.2015.0042
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  1. Unseen Labor and Backstage Choreographies: A Materialist Production History of A Chorus Line
  2. Christin Essin
  3. pp. 197-212
  4. DOI: 10.1353/tj.2015.0048
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  1. Redefining America, Arena Stage, and Territory Folks in a Multiracial Oklahoma!
  2. Donatella Galella
  3. pp. 213-233
  4. DOI: 10.1353/tj.2015.0054
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  1. Transcultural Consumption through a “Queer” Narrative: Douglas Maxwell’s Our Bad Magnet in Seoul
  2. Claire Maria Chambers
  3. pp. 235-252
  4. DOI: 10.1353/tj.2015.0060
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  1. Anonymous Is a Woman: The New Politics of Identification in Magical and Untitled Feminist Show
  2. Miriam Felton-Dansky
  3. pp. 253-271
  4. DOI: 10.1353/tj.2015.0066
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  1. Poised at the Threatening Edge: Feeling the Future in Medieval Last Judgment Performances
  2. Jill Stevenson
  3. pp. 273-293
  4. DOI: 10.1353/tj.2015.0034
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  1. Seeing Broadly: A Cultural Omnivore’s Menu
  2. Jill Dolan
  3. pp. 295-309
  4. DOI: 10.1353/tj.2015.0040
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  1. Foreign Affairs Festival (review)
  2. Ralf Remshardt
  3. pp. 311-314
  4. DOI: 10.1353/tj.2015.0046
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  1. Theatertreffen 2014 (review)
  2. Ljubiša Matić
  3. pp. 314-318
  4. DOI: 10.1353/tj.2015.0052
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  1. Kindertotenlieder created by Gisèle Vienne (review)
  2. Andrew Friedman
  3. pp. 319-320
  4. DOI: 10.1353/tj.2015.0058
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  1. Operetta Burlesque by Emma Dante (review)
  2. Francesca Spedalieri
  3. pp. 320-322
  4. DOI: 10.1353/tj.2015.0064
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  1. Intérieur by Maurice Maeterlinck (review)
  2. Christine Sustek Williams
  3. pp. 323-324
  4. DOI: 10.1353/tj.2015.0070
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  1. Hedda Gabler by Henrik Ibsen (review)
  2. Laurence Raw
  3. pp. 324-326
  4. DOI: 10.1353/tj.2015.0038
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  1. Blood Wedding by Federico García Lorca (review)
  2. Anna Stavrakopoulou
  3. pp. 326-328
  4. DOI: 10.1353/tj.2015.0044
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  1. The James Plays by Rona Munro (review)
  2. Sarah Thomasson
  3. pp. 328-332
  4. DOI: 10.1353/tj.2015.0050
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  1. Can’t Forget About You by David Ireland (review)
  2. Eleanor Owicki
  3. pp. 332-333
  4. DOI: 10.1353/tj.2015.0056
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  1. Aristocrats by Brian Friel, and: The Price by Arthur Miller (review)
  2. Jay Malarcher
  3. pp. 333-336
  4. DOI: 10.1353/tj.2015.0062
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  1. Sunday in the Park with George by Stephen Sondheim and James Lapine (review)
  2. Ray Schultz
  3. pp. 336-338
  4. DOI: 10.1353/tj.2015.0068
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  1. Since I Suppose (review)
  2. Lauren Beck
  3. pp. 338-340
  4. DOI: 10.1353/tj.2015.0035
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  1. Well, I Think You’re Beautiful, Philadelphia created and performed by Lauren Weedman (review)
  2. James Bunzli
  3. pp. 340-341
  4. DOI: 10.1353/tj.2015.0041
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  1. Ernest Shackleton Loves Me by Joe DiPietro (review)
  2. Robert L. Neblett
  3. pp. 341-343
  4. DOI: 10.1353/tj.2015.0047
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  1. Dulcey and Roxy At City Hall: A Play for the Theater of Arrhythmic Bullshit by Maksym Kurochkin (review)
  2. Jessica Hinds-Bond
  3. pp. 343-346
  4. DOI: 10.1353/tj.2015.0053
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  1. Notes from the Frontier: Digital Scholarship and the Future of Theatre Studies
  2. Debra Caplan
  3. pp. 347-359
  4. DOI: 10.1353/tj.2015.0059
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  1. The Mind-Body Stage: Passion and Interaction In the Cartesian Theater by R. Darren Gobert (review)
  2. William Egginton
  3. pp. 361-362
  4. DOI: 10.1353/tj.2015.0065
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  1. Acts: Theater, Philosophy, and the Performing Self by Tzachi Zamir (review)
  2. David Kornhaber
  3. pp. 362-363
  4. DOI: 10.1353/tj.2015.0033
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  1. Refugee Performance: Practical Encounters ed. by Michael Balfour (review)
  2. D. Soyini Madison
  3. pp. 363-365
  4. DOI: 10.1353/tj.2015.0039
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  1. Acts of Desire: Women and Sex On Stage, 1800–1930 by Sos Eltis (review)
  2. Penny Farfan
  3. pp. 365-366
  4. DOI: 10.1353/tj.2015.0045
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  1. (Re)Constructing Maternal Performance In Twentieth-Century American Drama by L. Bailey McDaniel (review)
  2. Jozefina Komporaly
  3. pp. 366-367
  4. DOI: 10.1353/tj.2015.0051
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  1. Contemporary Women Playwrights: Into the Twenty-First Century ed. by Penny Farfan and Lesley Ferris (review)
  2. Leah Lowe
  3. pp. 367-369
  4. DOI: 10.1353/tj.2015.0057
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  1. Staging England In the Elizabethan History Play: Performing National Identity by Ralf Hertel (review)
  2. Patrick J. Murray
  3. pp. 369-370
  4. DOI: 10.1353/tj.2015.0063
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  1. Burnt Cork: Traditions and Legacies of Blackface Minstrelsy ed. by Stephen Johnson (review)
  2. Shane Breaux
  3. pp. 370-371
  4. DOI: 10.1353/tj.2015.0069
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  1. Class Divisions On the Broadway Stage: the Staging and Taming of the I.W.W. by Michael Schwartz (review)
  2. Chrystyna Dail
  3. pp. 371-373
  4. DOI: 10.1353/tj.2015.0037
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  1. Stanislavsky: A Life In Letters ed. by Laurence Senelick (review)
  2. Maria Ignatieva
  3. pp. 373-374
  4. DOI: 10.1353/tj.2015.0043
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  1. Dramas of the Past On the Twentieth-Century Stage: In History’s Wings by Alexander Feldman (review)
  2. Jenn Stephenson
  3. pp. 374-375
  4. DOI: 10.1353/tj.2015.0049
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  1. The Routledge Companion to Puppetry and Material Performance ed. by Dassia N. Posner, Claudia Orenstein, and John Bell (review)
  2. Heather Denyer
  3. pp. 375-376
  4. DOI: 10.1353/tj.2015.0055
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  1. Fighting For Recognition: Identity, Masculinity, And The Act Of Violence In Professional Wrestling by R. Tyson Smith (review)
  2. Eero Laine
  3. pp. 376-377
  4. DOI: 10.1353/tj.2015.0061
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  1. Doctoral Projects in Progress in Theatre Arts, 2015
  2. Andrew Gibb, James Beekman Bush, Amanda Espinoza
  3. pp. 383-389
  4. DOI: 10.1353/tj.2015.0067
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  1. Editorial Comment
  2. Joanne Tompkins
  3. pp. ix-xi
  4. DOI: 10.1353/tj.2015.0036
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