1. Performance Arts and the Effects of Presence
  2. Louise Poissant
  3. p. 216
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  1. Scientific Delirium Madnesss
  2. Margot H. Knight
  3. p. 219
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  1. Scientific Delirium Madness Gallery
  2. Charlotte DeCroes Jacobs, Curtis W. Frank, Donna Sternberg, Sasha Petrenko, Meredith Tromble, Dawn Sumner, Pireeni Sundaralingam
  3. pp. 220-225
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  1. Drapely-o-lightment: An Algorithmic Approach to Designing for Drapability in an E-Textile Garment
  2. Loe Feijs, Marina Toeters
  3. pp. 226-234
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  1. Real-Time Hallucination Simulation and Sonification through User-Led Development of an iPad Augmented Reality Performance
  2. Alexis Kirke, Joel Eaton, Eduardo Miranda
  3. pp. 235-242
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  1. Art, Virtual Worlds and the Emergent Imagination
  2. Denise Doyle
  3. pp. 244-250
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  1. Like Windows to Another World: Constructing a Systematic Typology of Pictorial Mediums
  2. Or Ettlinger
  3. pp. 251-256
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  1. The Image of the Change: From the I Ching to the Evolution of Chaos
  2. Yuting Zou
  3. pp. 257-263
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  1. Living (on) Dust: Around the Globe with Mineral Particles & Microbial Hitchhikers
  2. Monika Bakke
  3. pp. 266-267
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  1. National Vitality, Migrant Abjection, and Coercive Mobility: The Biopolitical History of American Deportation
  2. Ethan Blue
  3. pp. 268-269
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  1. Factors Controlling Movement of Skeletal Muscles
  2. Miranda D. Grounds
  3. pp. 270-271
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  1. Syncitium in Motion: Exploring Movement in the Skeletal Muscle Cell Shared by Scientific and Artistic Nuclei
  2. Stuart Hodgetts
  3. pp. 272-273
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  1. Re-purposing Life in an Anti-Disciplinary and Curiosity-Driven Context
  2. Andrew E. Pelling
  3. pp. 274-275
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  1. “Dead Eyes Open”: The Role of Experiments in Galvanic Reanimation in Nineteenth-Century Popular Culture
  2. Elizabeth Stephens
  3. pp. 276-277
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  1. Live Interfaces
  2. Alex McLean, Maria Chatzichristodoulou, Kia Ng
  3. p. 279
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  1. Exploring Disparities Between Acoustic and Digital Sound Outputs
  2. Adriana Sa
  3. pp. 280-281
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  1. Controlling Rhythm in the Frequency Domain
  2. Robert Tubb
  3. pp. 282-283
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  1. Skype, Code and Shouting: A Digitally Mediated Drama between Egypt and Scotland
  2. Shabina Aslam, Eleanor Dare
  3. pp. 284-285
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  1. Sensitive Chaos
  2. David Strang
  3. pp. 286-287
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  1. Errors, Glitches and Other Mistakes in the Life of an Unredeemed Technology Lover
  2. Juan A. Romero, Georg Hobmeier, D Lorrain
  3. pp. 288-289
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  1. Emerging: Live-Digital Gestures in Action
  2. Kerry Francksen
  3. pp. 290-291
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  1. Paraphernalia: A Design Approach for Electronic-Performance Tools
  2. Nancy Mauro-Flude
  3. pp. 292-293
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  1. Kinect-ed Piano
  2. Nicholas Gillian, Sarah Nicolls
  3. pp. 294-295
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  1. Conversational Interaction in Interactive Dance Works
  2. Andrew Johnston
  3. pp. 296-297
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  1. Intention, Effort, and Restraint: The EMG in Musical Performance
  2. Atau Tanaka
  3. pp. 298-299
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  1. Picturing Science: Museum Scientists and Imaging Technologies (review)
  2. Emma Zuroski, Hannah Star Rogers
  3. pp. 301-302
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  1. Fluxus: The Practice of Non-Duality by Natasha Lushetich (review)
  2. Flutur Troshani
  3. pp. 302-303
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  1. Ethos and Narrative Interpretation: The Negotiation of Values in Fiction by Liesbeth Korthals-Altes (review)
  2. Jan Baetens
  3. pp. 303-304
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  1. The Global Contemporary and the Rise of New Art Worlds ed. by Hans Belting, Andrea Buddensieg and Peter Weibel (review)
  2. Flutur Troshani
  3. pp. 304-305
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  1. Records Ruin the Landscape: John Cage, the Sixties, and Sound Recording by David Grubbs (review)
  2. John F. Barber
  3. pp. 305-306
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  1. Henri Lefebvre: Toward an Architecture of Enjoyment ed. by Łukasz Stanek (review)
  2. Jan Baetens
  3. pp. 306-307
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  1. Animating Film Theory ed. by Karen Beckman (review)
  2. Amanda Egbe
  3. pp. 307-308
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  1. Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art by Charissa Terranova (review)
  2. Mike Mosher
  3. pp. 308-310
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  1. The Intelligence of a Machine by Jean Epstein (review)
  2. Martha Blassnigg
  3. pp. 310-311
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  1. Poetic Language: Theory and Practice from the Renaissance to the Present by Tom Jones (review)
  2. Jan Baetens
  3. pp. 311-312
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  1. Art, Science, and Cultural Understanding ed. by Brett Wilson (review)
  2. Jan Baetens
  3. pp. 314-315
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  1. Leonardo Reviews Online
  2. p. 315
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  1. Leonardo Network News
  2. pp. 316-317
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  1. That Drunken Conversation between Two Cultures: Art, Science and the Possibility of Meaningful Uncertainty
  2. Andrew Yang
  3. pp. 318-321
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  1. Neuroscience: A Historical Introduction by Mitchell Glickstein (review)
  2. Amy Ione
  3. pp. 312-314
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