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Table of Contents

  1. Embodied Thought and the Perception of Place in King Lear
  2. Andrew Bozio
  3. pp. 263-284
  4. DOI: https://doi.org/10.1353/sel.2015.0013
  5. restricted access
  1. Taste, Theatrical Venues, and the Rise of English Tragicomedy
  2. Garth Kimbrell
  3. pp. 285-307
  4. DOI: https://doi.org/10.1353/sel.2015.0015
  5. restricted access
  1. Female Chastity and Commoditized Selfhood in Bartholomew Fair
  2. Katherine Gillen
  3. pp. 309-326
  4. DOI: https://doi.org/10.1353/sel.2015.0017
  5. restricted access
  1. Allegorical Causation and Aristotelian Physics in Henry Medwall’s Nature
  2. Liza Blake
  3. pp. 341-363
  4. DOI: https://doi.org/10.1353/sel.2015.0021
  5. restricted access
  1. Antitheatricalism and the Interpretation of Tudor Allegorical Performance
  2. Kirk Quinsland
  3. pp. 365-389
  4. DOI: https://doi.org/10.1353/sel.2015.0011
  5. restricted access
  1. Allegorical Action and Elizabethan Staging
  2. Alan C. Dessen
  3. pp. 391-402
  4. DOI: https://doi.org/10.1353/sel.2015.0012
  5. restricted access
  1. The Revenger’s Tragedy as Trauerspiel
  2. Margaret E. Owens
  3. pp. 403-421
  4. DOI: https://doi.org/10.1353/sel.2015.0014
  5. restricted access
  1. Middleton’s A Game at Chess and the Making of a Theatrical Public
  2. Stephen Wittek
  3. pp. 423-446
  4. DOI: https://doi.org/10.1353/sel.2015.0016
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  1. Allegory Plays
  2. Jody Enders
  3. pp. 447-464
  4. DOI: https://doi.org/10.1353/sel.2015.0018
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  1. Recent Studies in Tudor and Stuart Drama
  2. Roland Greene
  3. pp. 465-496
  4. DOI: https://doi.org/10.1353/sel.2015.0020
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  1. Introduction: Staging Allegory
  2. Joseph Campana
  3. pp. 327-339
  4. DOI: https://doi.org/10.1353/sel.2015.0019
  5. restricted access
  1. Books Received
  3. pp. 485-496
  4. DOI: https://doi.org/10.1353/sel.2015.0022
  5. restricted access