1. Speaking in James: Cynthia Ozick’s “Dictation” and “The Jolly Corner”
  2. Jessica A. Kent
  3. pp. 101-116
  4. DOI: 10.1353/hjr.2015.0016
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  1. Knowing the Dramatist by His Choices: James, Ibsen, and The Awkward Age
  2. Merle A. Williams
  3. pp. 117-128
  4. DOI: 10.1353/hjr.2015.0009
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  1. “Like a Dazzling Curtain of Light”: Fanny Assingham’s Performances of Jewishness in The Golden Bowl
  2. Nevena Stojanovic
  3. pp. 129-147
  4. DOI: 10.1353/hjr.2015.0011
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  1. Love as an Act of Dissimulation in “The Beast in the Jungle”
  2. Teckyoung Kwon
  3. pp. 148-162
  4. DOI: 10.1353/hjr.2015.0012
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  1. More Perceptions than Terms to Translate Them: The Enigmatic Signifier and the Jamesian Unconscious in What Maisie Knew
  2. Glenn Clifton
  3. pp. 163-176
  4. DOI: 10.1353/hjr.2015.0013
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  1. Henry James’s Dramas of Cultivation: Liberalism and Democracy in The Bostonians and The Princess Casamassima
  2. Emily Coit
  3. pp. 177-198
  4. DOI: 10.1353/hjr.2015.0014
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  1. Painting the Novel: The Fine Art of Fiction in Henry James’s Prefaces by Henry James (review)
  2. Kevin Frazier
  3. pp. E-6-E-12
  4. DOI: 10.1353/hjr.2015.0015
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  1. Transforming Henry James ed. by Anna De Biasio, Anna Despotopoulou, and Donatella Izzo (review)
  2. Laurence Raw
  3. pp. E-12-E-15
  4. DOI: 10.1353/hjr.2015.0008
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  1. Bewilderments of Vision: Hallucination and Literature, 1880–1914 by Oliver Tearle (review)
  2. Ágnes Zsófia Kovács
  3. pp. E-15-E-18
  4. DOI: 10.1353/hjr.2015.0010
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