1. Sparing Fame: Anne Bradstreet’s Elegiac Consolations
  2. Julia Penn Delacroix
  3. pp. 1-30
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  1. The Poetics of Unoriginality: The Case of Lucretia Davidson
  2. Claudia Stokes
  3. pp. 31-52
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  1. The Kitchen Economics of Sarah Orne Jewett’s The Country of the Pointed Firs
  2. Thomas Strychacz
  3. pp. 53-74
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  1. Black Labor and the Sentimentalized Southern Economy in Katherine Tillman’s Clancy Street
  2. Andreá N. Williams
  3. pp. 53-74
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  1. “So Completely Has My Vogue Passed Away”: Houghton Mifflin’s In-house Evaluations of Mary Hallock Foote’s Autobiography
  2. Nicolas S. Witschi
  3. pp. 97-113
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  1. Correspondence with Houghton Mifflin Co.
  2. Mary Hallock Foote
  3. pp. 114-121
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  1. Literary Recovery in an Age of Austerity: A Review of Early American Reprints and Just Teach One
  2. Michelle Burnham
  3. pp. 122-132
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  1. American Blood: The Ends of the Family in American Literature, 1850–1900 by Holly Jackson (review)
  2. Carol J. Singley
  3. pp. 133-135
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  1. Sentimental Readers: The Rise, Fall, and Revival of a Disparaged Rhetoric by Faye Halpern (review)
  2. Gillian Silverman
  3. pp. 133-135
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  1. Playing House in the American West: Western Women’s Life Narratives, 1839–1987 by Cathryn Halverson (review)
  2. Daniel Worden
  3. pp. 138-140
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  1. Treacherous Texts: U.S. Suffrage Literature, 1846–1946 ed. by Mary Chapman and Angela Mills (review)
  2. Leslie Petty
  3. pp. 140-143
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  1. The Middle Class in the Great Depression: Popular Women’s Novels of the 1930s by Jennifer Haytock (review)
  2. Catherine Keyser
  3. pp. 143-145
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  1. Editor’s Note
  2. Jennifer S. Tuttle
  3. pp. vii-viii
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