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In this Issue

Table of Contents

  1. Carl Nielsen at Age 150
  2. Anne-Marie Reynolds
  3. pp. 611-628
  4. DOI: https://doi.org/10.1353/not.2015.0066
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  1. The First Professional String Quartet?: ReExamining an Account Attributed to Giuseppe Maria Cambini
  2. Edward Klorman
  3. pp. 629-643
  4. DOI: https://doi.org/10.1353/not.2015.0072
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  1. Peter Maxwell Davies’s Variations on a Theme: A Catalog of the “Sea” Works
  2. Justin Vickers
  3. pp. 644-671
  4. DOI: https://doi.org/10.1353/not.2015.0078
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  1. Notes for Notes
  2. Mark McKnight
  3. pp. 672-673
  4. DOI: https://doi.org/10.1353/not.2015.0048
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Book Reviews

Music Librarianship

  1. Keeping Time: An Introduction to Archival Best Practices for Music Librarians by Lisa Hooper and Donald C. Force (review)
  2. Creighton Barrett
  3. pp. 674-676
  4. DOI: https://doi.org/10.1353/not.2015.0057
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  1. Money for the Asking: Fundraising in Music Libraries by Peter Munstedt (review)
  2. Ericka Patillo
  3. pp. 676-678
  4. DOI: https://doi.org/10.1353/not.2015.0045
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Companions

  1. The Cambridge Companion to the Symphony ed. by Julian Horton, and: The Cambridge Wagner Encyclopedia ed. by Nicholas Vazsonyi (review)
  2. David Larkin
  3. pp. 679-687
  4. DOI: https://doi.org/10.1353/not.2015.0047
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  1. Experiencing Stravinsky: A Listener’s Companion by Robin Maconie (review)
  2. Daniel E. Mathers
  3. pp. 687-690
  4. DOI: https://doi.org/10.1353/not.2015.0058
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Early and Late Romantics

  1. Beethoven’s Theatrical Quartets: Opp. 59, 74 and 95 by Nancy November (review)
  2. Mark Ferraguto
  3. pp. 690-692
  4. DOI: https://doi.org/10.1353/not.2015.0050
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  1. Das Mittelalter im 19. Jahrhundert: Ein Beitrag zur Kompositionsgeschichte in Frankreich by Stefan Morent (review)
  2. Mattias Lundberg
  3. pp. 692-694
  4. DOI: https://doi.org/10.1353/not.2015.0053
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  1. After Mahler: Britten, Weill, Henze, and Romantic Redemption by Stephen Downes (review)
  2. Matthew Mugmon
  3. pp. 694-696
  4. DOI: https://doi.org/10.1353/not.2015.0063
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On the Stage

  1. “On My Way”: The Untold Story of Rouben Mamoulian, George Gershwin, and Porgy and Bess by Joseph Horowitz (review)
  2. Scott Warfield
  3. pp. 697-699
  4. DOI: https://doi.org/10.1353/not.2015.0067
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  1. From the Score to the Stage: An Illustrated History of Continental Opera Production and Staging by Evan Baker (review)
  2. Micaela Baranello
  3. pp. 699-701
  4. DOI: https://doi.org/10.1353/not.2015.0052
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  1. Opera in the Age of Rousseau: Music, Confrontation, Realism by David Charlton (review)
  2. Jacek Blaszkiewicz
  3. pp. 701-703
  4. DOI: https://doi.org/10.1353/not.2015.0062
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  1. Falling Up: The Days and Nights of Carlisle Floyd: The Authorized Biography by Thomas Holliday (review)
  2. Monica A. Hershberger
  3. pp. 703-706
  4. DOI: https://doi.org/10.1353/not.2015.0065
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Britain and Scotland

  1. Music & the British Military in the Long Nineteenth Century by Trevor Herbert and Helen Barlow (review)
  2. Dominique Bourassa
  3. pp. 706-708
  4. DOI: https://doi.org/10.1353/not.2015.0068
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  1. The Music of Herbert Howells ed. by Phillip A. Cooke and David Maw (review)
  2. Julian Onderdonk
  3. pp. 708-710
  4. DOI: https://doi.org/10.1353/not.2015.0075
  5. restricted access
  1. The Cambridge Companion to Michael Tippett ed. by Kenneth Gloag and Nicholas Jones (review)
  2. Kevin Salfen
  3. pp. 710-714
  4. DOI: https://doi.org/10.1353/not.2015.0051
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  1. Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era by Karen McAulay (review)
  2. Frances Wilkins
  3. pp. 714-716
  4. DOI: https://doi.org/10.1353/not.2015.0073
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Portugal

  1. Chanter sur le livre à la Renaissance: Les traités de contrepoint de Vicente Lusitano ed. by Philippe Canguilhem (review)
  2. Samuel J. Brannon
  3. pp. 716-719
  4. DOI: https://doi.org/10.1353/not.2015.0074
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  1. Fado Resounding: Affective Politics and Urban Life by Lila Ellen Gray (review)
  2. Danielle M. Kuntz
  3. pp. 719-721
  4. DOI: https://doi.org/10.1353/not.2015.0077
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Jazz, Blues, and Country

  1. More Important than the Music: A History of Jazz Discography by Bruce D. Epperson (review)
  2. Edward Komara
  3. pp. 721-723
  4. DOI: https://doi.org/10.1353/not.2015.0071
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  1. Duke Ellington as Pianist: A Study of Styles by Matthew J. Cooper, and: Why Jazz Happened by Marc Myers (review)
  2. Mark C. Gridley
  3. pp. 723-726
  4. DOI: https://doi.org/10.1353/not.2015.0055
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  1. 100 Books Every Blues Fan Should Own by Edward Komara and Greg Johnson (review)
  2. Ralph Hartsock
  3. pp. 726-728
  4. DOI: https://doi.org/10.1353/not.2015.0060
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  1. Rednecks, Queers, and Country Music by Nadine Hubbs (review)
  2. Benita Wolters-Fredlund
  3. pp. 728-731
  4. DOI: https://doi.org/10.1353/not.2015.0079
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 732-739
  4. DOI: https://doi.org/10.1353/not.2015.0054
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Digital Media Reviews

  1. IPA Source (review)
  2. Abbey Thompson
  3. pp. 740-742
  4. DOI: https://doi.org/10.1353/not.2015.0056
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Music Reviews

  1. Il primo libro de motetti a due, tre, quattro, cinque, & otto voci, con una Messa à Quattro (1610) ed. by Dennis Collins & Steven Saunders (review)
  2. Noel O’Regan
  3. pp. 743-745
  4. DOI: https://doi.org/10.1353/not.2015.0069
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  1. La Calisto: Dramma per musica by Giovanni Faustini ed. by Álvaro Torrente (score) and Nicola Badolato (libretto), and: Artemisia: Dramma per musica by Nicolò Minato ed. by Hendrik Schulze (score) and Sara Elisa Stangalino (libretto) (review)
  2. James P. Cassaro
  3. pp. 745-749
  4. DOI: https://doi.org/10.1353/not.2015.0080
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  1. Concertos pour violon et orchestre op. VII édition by Louis Castelain (review)
  2. Neal Zaslaw
  3. pp. 750-752
  4. DOI: https://doi.org/10.1353/not.2015.0049
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  1. Vina. Opera in Three Acts Based on the Play by Jaroslav Hilbert and ed. by Brian S. Locke (review)
  2. John Tyrrell
  3. pp. 752-755
  4. DOI: https://doi.org/10.1353/not.2015.0061
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  1. Music Received
  2. David Knapp
  3. pp. 756-766
  4. DOI: https://doi.org/10.1353/not.2015.0059
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  1. Communications
  2. Richard Griscom
  3. p. 767
  4. DOI: https://doi.org/10.1353/not.2015.0064
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  1. Index to Advertisers
  3. p. 768
  4. DOI: https://doi.org/10.1353/not.2015.0070
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  1. Cumulative Index to Advertisers Volume 71
  3. p. 782
  4. DOI: https://doi.org/10.1353/not.2015.0076
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  1. Index to Volume 71: September 2014 through June 2015
  2. Martin D. Jenkins
  3. pp. 783-791
  4. DOI: https://doi.org/10.1353/not.2015.0046
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Tailpieces selected from: The Collected Drawings of Aubrey Beardsley. With an Appreciation by Arthur Symons. Edited by Bruce S. Harris. (New York: Harmony Books, 1967)