1. “unlyrical, unmusical, unrhythmical, unmanageable”: Attending to Henry James’s Music
  2. Daniel Hannah
  3. pp. 129-161
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  1. Spencerian Theory and Modern Rites of Passage in John Dos Passos’s Three Soldiers
  2. Aaron Shaheen
  3. pp. 162-181
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  1. The Apocalypse for Barnes
  2. Ery Shin
  3. pp. 182-209
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  1. The Contemporary American Novel as World Literature: The Neoliberal Antihero in Don DeLillo’s Cosmopolis
  2. Martina Sciolino
  3. pp. 210-241
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  1. In Defense of Hemingway’s Young Nick Adams: “Everything Was Gone to Hell Inside of Me”
  2. Donald A. Daiker
  3. pp. 242-257
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