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In this Issue

Table of Contents

  1. “The Greatest Exploitation Special Ever”: Destination Moon and Postwar Independent Distribution
  2. Bradley Schauer
  3. pp. 1-28
  4. DOI: https://doi.org/10.2979/filmhistory.27.1.1
  5. restricted access
  1. The Doubly Wired Spectator: Marston’s Theory of Emotions and Psychophysiological Research on Cinematic Pleasure in the 1920s
  2. Ana Olenina
  3. pp. 29-57
  4. DOI: https://doi.org/10.2979/filmhistory.27.1.29
  5. restricted access
  1. Film Noir and the Culture of Electric Light
  2. Patrick Keating
  3. pp. 58-84
  4. DOI: https://doi.org/10.2979/filmhistory.27.1.58
  5. restricted access
  1. Film as Diplomat: The Politics of Postwar Screenings at Czechoslovak Foreign Embassies
  2. Lucie Česálková
  3. pp. 85-110
  4. restricted access
  1. “Ten Dollars’ Worth of Fun”: The Obscured History of the Toy Magic Lantern and Early Children’s Media Spectatorship
  2. Meredith A. Bak
  3. pp. 111-134
  4. DOI: https://doi.org/10.2979/filmhistory.27.1.111
  5. restricted access
  1. “A Maze of Intricate Relationships”: Mae D. Huettig and Early Forays into Film Industry Studies
  2. W. D. Phillips
  3. pp. 135-163
  4. DOI: https://doi.org/10.2979/filmhistory.27.1.135
  5. restricted access
  1. Contributors
  3. pp. 164-165
  4. restricted access