1. How Periods Erase History
  2. Gerald Graff
  3. pp. 177-183
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  1. Well-Informed Ignorance
  2. Daniel Innerarity
  3. pp. 184-189
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  1. Practicing Harmony Ideology: Ethnographic Reflections on Community and Coercion
  2. Judith Beyer, Felix Girke
  3. pp. 196-235
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  1. Suspicions of Peace in Medieval Christian Discourse
  2. Jehangir Yezdi Malegam
  3. pp. 236-252
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  1. Peaceful Conflict Resolution and Its Discontents in Aeschylus’s Eumenides
  2. Edith Hall
  3. pp. 253-263
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  1. Huaorani Peace: Cultural Continuity and Negotiated Alterity in the Ecuadorian Amazon
  2. Laura Rival
  3. pp. 270-305
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  1. Lyric Cosmopolitanism in a Postsocialist Borderland
  2. Kevin M. F. Platt
  3. pp. 305-326
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  1. Shklovsky: Witness to an Era by Serena Vitale (review)
  2. Caryl Emerson
  3. pp. 327-328
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  1. The Throne of Adulis: Red Sea Wars on the Eve of Islam by G. W. Bowersock (review)
  2. Maria Conterno
  3. pp. 328-329
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  1. The Hall of Uselessness: Collected Essays by Simon Leys (review)
  2. Dore J. Levy
  3. pp. 329-330
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  1. The Communist Horizon by Jodi Dean (review)
  2. Santiago Zabala
  3. pp. 330-331
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  1. Solitary Confinement: Social Death and Its Afterlives by Lisa Guenther (review)
  2. Jeffrey M. Perl
  3. pp. 331-332
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  1. Pacifists in Chains: The Persecution of Hutterites during the Great War by Duane C. S. Stoltzfus (review)
  2. Michael Kazin
  3. pp. 332-333
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  1. Aisha’s Cushion: Religious Art, Perception, and Practice in Islam by Jamal Elias (review)
  2. Linda Safran
  3. p. 333
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  1. Christians, Muslims, and Jesus by Mona Siddiqui (review)
  2. Guy G. Stroumsa
  3. p. 334
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  1. The Medieval Haggadah: Art, Narrative, and Religious Imagination by Marc Michael Epstein (review)
  2. Adam Cohen
  3. pp. 334-335
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  1. Fragments and Assemblages: Forming Compilations of Medieval London by Arthur Bahr (review)
  2. Ardis Butterfield
  3. p. 335
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  1. The Most Dangerous Book: The Battle for James Joyce’s “Ulysses” by Kevin Birmingham (review)
  2. William M. Chace
  3. pp. 336-337
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  1. Stanley Cavell and the Claim of Literature by David Rudrum (review)
  2. Emily Budick
  3. pp. 337-338
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  1. A World without Why by Raymond Geuss (review)
  2. Barry Allen
  3. pp. 338-339
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  1. Thomas Aquinas: A Portrait by Denys Turner (review)
  2. Anthony Kenny
  3. pp. 339-340
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  1. Probably Approximately Correct: Nature’s Algorithms for Learning and Prospering in a Complex World by Leslie Valiant (review)
  2. Noson S. Yanofsky
  3. p. 340
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  1. Children in the Roman Empire: Outsiders Within by Christian Laes (review)
  2. David Konstan
  3. p. 341
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  1. The Temptation of Despair: Tales of the 1940s by Werner Sollors (review)
  2. Zsuzsanna Ozsváth
  3. pp. 341-342
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  1. Art and the Second World War by Monica Bohm-Duchen (review)
  2. James Trilling
  3. pp. 342-343
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  1. The Black Russian by Vladimir Alexandrov (review)
  2. Caryl Emerson
  3. p. 344
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  1. The Medieval Salento: Art and Identity in Southern Italy by Linda Safran (review)
  2. Ingrid D. Rowland
  3. pp. 344-345
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  1. Image and Myth: A History of Pictorial Narration in Greek Art by Luca Giuliani (review)
  2. John Boardman
  3. pp. 345-346
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  1. God, Space, and City in the Roman Imagination by Richard Jenkyns (review)
  2. G. W. Bowersock
  3. pp. 346-347
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  1. Winckelmann and the Invention of Antiquity: Aesthetics and History in the Age of Altertumswissenschaft by Katherine Harloe (review)
  2. Richard Jenkyns
  3. p. 347
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  1. Mute Poetry, Speaking Pictures by Leonard Barkan (review)
  2. Ingrid D. Rowland
  3. pp. 347-348
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  1. My Silver Planet by Daniel Tiffany (review)
  2. Vernon Shetley
  3. p. 348
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  1. Les Solidarités Mystérieuses by Pascal Quignard (review)
  2. Ann Jefferson
  3. pp. 349-350
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  1. Five Poems
  2. Belle Randall
  3. pp. 351-355
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  1. The Man Who Missed Trains
  2. Diego Marani, Judith Landry
  3. pp. 356-366
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  1. Introduction: A Motto for Moral Diplomacy
  2. Maria DiBattista
  3. pp. 190-195
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  1. Notes on Contributors
  2. pp. 367-371
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