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In this Issue

Table of Contents

  1. Zavattini, above and beyond Neorealism
  2. Giorgio Bertellini, Courtney Ritter
  3. pp. 1-5
  4. DOI: https://doi.org/10.1353/cj.2015.0040
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  1. Self-Presentation
  2. Cesare Zavattini, Giorgio Bertellini, Courtney Ritter
  3. pp. 5-6
  4. DOI: https://doi.org/10.1353/cj.2015.0020
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  1. Proposals for a Television Open to Reality and Democracy
  2. Arturo Gismondi, Cesare Zavattini, Giorgio Bertellini, Courtney Ritter
  3. pp. 7-9
  4. DOI: https://doi.org/10.1353/cj.2015.0024
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  1. Free Newsreels
  2. Cesare Zavattini, Giorgio Bertellini, Courtney Ritter
  3. pp. 9-11
  4. DOI: https://doi.org/10.1353/cj.2015.0028
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  1. Two Articles by Ritwik Ghatak
  2. Moinak Biswas
  3. pp. 11-13
  4. DOI: https://doi.org/10.1353/cj.2015.0032
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  1. Human Society, Our Tradition, Filmmaking, and My Efforts
  2. Ritwik Ghatak, Moinak Biswas
  3. pp. 13-17
  4. DOI: https://doi.org/10.1353/cj.2015.0035
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  1. On Subarnarekha
  2. Ritwik Ghatak, Moinak Biswas
  3. pp. 18-20
  4. DOI: https://doi.org/10.1353/cj.2015.0038
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  1. Nous revenons à nos moutons: Regarding Animals in Charles Burnett’s Killer of Sheep
  2. Sarah O’Brien
  3. pp. 21-43
  4. DOI: https://doi.org/10.1353/cj.2015.0018
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  1. Genre, Translation, and Transnational Cinema: Kim Jee-woon’s The Good, the Bad, the Weird
  2. Michelle Cho
  3. pp. 44-68
  4. DOI: https://doi.org/10.1353/cj.2015.0022
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  1. Boundless Ontologies: Michael Snow, Wittgenstein, and the Textual Film
  2. Justin Remes
  3. pp. 69-87
  4. DOI: https://doi.org/10.1353/cj.2015.0026
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  1. Time and Time Again: Temporality, Narrativity, and Spectatorship in Christian Marclay’s The Clock
  2. Julie Levinson
  3. pp. 88-109
  4. DOI: https://doi.org/10.1353/cj.2015.0030
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  1. Fan Labor and Feminism: Capitalizing on the Fannish Labor of Love
  2. Kristina Busse
  3. pp. 110-115
  4. DOI: https://doi.org/10.1353/cj.2015.0034
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  1. Fifty Shades and the Archive of Women’s Culture
  2. Abigail De Kosnik
  3. pp. 116-125
  4. DOI: https://doi.org/10.1353/cj.2015.0037
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  1. Making Use Of: The Gift, Commerce, and Fans
  2. Karen Hellekson
  3. pp. 125-131
  4. DOI: https://doi.org/10.1353/cj.2015.0017
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  1. Spinning Yarn with Borrowed Cotton: Lessons for Fandom from Sampling
  2. Mel Stanfill
  3. pp. 131-137
  4. DOI: https://doi.org/10.1353/cj.2015.0021
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  1. A Different Kind of Love Song: Vidding Fandom’s Undercommons
  2. Alexis Lothian
  3. pp. 138-145
  4. DOI: https://doi.org/10.1353/cj.2015.0025
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  1. “Cosplay Is Serious Business”: Gendering Material Fan Labor on Heroes of Cosplay
  2. Suzanne Scott
  3. pp. 146-154
  4. DOI: https://doi.org/10.1353/cj.2015.0029
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  1. The Soul of Anime: Collaborative Creativity and Japan’s Media Success Story by Ian Condry (review)
  2. Lori Hitchcock Morimoto
  3. pp. 156-160
  4. DOI: https://doi.org/10.1353/cj.2015.0036
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  1. The Fan Fiction Studies Reader ed. by Karen Hellekson and Kristina Busse (review)
  2. Anne Kustritz
  3. pp. 165-169
  4. DOI: https://doi.org/10.1353/cj.2015.0019
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  1. Fic: Why Fanfiction Is Taking Over the World by Anne Jamison (review)
  2. Allison McCracken
  3. pp. 170-175
  4. DOI: https://doi.org/10.1353/cj.2015.0023
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  1. Contributors
  2. p. 155
  3. DOI: https://doi.org/10.1353/cj.2015.0033
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  1. Understanding Fandom: An Introduction to the Study of Media Fan Culture by Mark Duffett (review)
  2. Anne Gilbert
  3. pp. 160-164
  4. DOI: https://doi.org/10.1353/cj.2015.0039
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  1. Contributors
  2. p. 182
  3. DOI: https://doi.org/10.1353/cj.2015.0031
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