1. Notes on The Darkening Trapeze: Last Poems of Larry Levis
  2. David St. John
  3. pp. 173-175
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  1. If He Came & Diminished Me & Mapped My Way, and: Col tempo, and: In Theory, and: Anonymous Source, and: Elegy for the Infinite Wrapped in Tinfoil
  2. Larry Levis
  3. pp. 176-187
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  1. Your Turn, and: A Home Away
  2. Philip Levine
  3. pp. 188-189
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  1. Vineyard, and: Where He Came Down, and: Lucky
  2. David St. John
  3. pp. 190-195
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  1. Sonnet with Two Dreams Dancing, and: M——
  2. Ryan Teitman
  3. pp. 196-198
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  1. The Kiskiminetas River
  2. Peter Everwine
  3. pp. 199-200
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  1. Visiting Richmond after Several Years Away, I Discover a Restaurant Called L’Opossum
  2. Anna Journey
  3. pp. 201-203
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  1. Elegy for a Nightstand in the Back of a U-Haul
  2. John Estes
  3. pp. 204-206
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  1. Death of the Death of Youth
  2. Joshua Poteat
  3. pp. 207-208
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  1. The Era of Good Feelings
  2. Amanda Goldblatt
  3. pp. 210-223
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  1. Starting from Seed
  2. Andrew Furman
  3. pp. 224-238
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  1. God’s Plan for Dr. Gaynor and Hastings Chiume
  2. Saral Waldorf
  3. pp. 239-255
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  1. Artist’s Statement
  2. Ed Ruscha
  3. pp. 256-264
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  1. A Mother Is a Vase Falling
  2. Caitlin Vance
  3. p. 265
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  1. The Interview
  2. Alice Friman
  3. pp. 266-267
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  1. The Clarinet
  2. Gilbert Allen
  3. pp. 268-269
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  1. The Outlier
  2. Susan McCallum-Smith
  3. pp. 270-285
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  1. The Weather Report
  2. Daniel Terence Smith
  3. pp. 286-294
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  1. ? ? ?
  2. John Surowiecki
  3. p. 295
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  1. Driving to Work
  2. A. M. Brandt
  3. pp. 300-301
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  1. Spell Me the Air
  2. Charles McLeod
  3. pp. 302-309
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  1. Brick by Brick (on the dismantling of Sandy Hook School)
  2. Carol Ann Davis
  3. pp. 310-311
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  1. What the Moon Says at Sunrise
  2. Sally Van Doren
  3. p. 312
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  1. Elevator Rides
  2. Peter Gordon
  3. pp. 313-322
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  1. Something to Be Said, and: A Few Quiet Days
  2. Catherine Breese Davis
  3. pp. 323-324
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  1. Trinity
  2. Bruce Bond
  3. p. 325
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  1. Samuel Beckett: Going On in Style
  2. Georgina Nugent-Folan
  3. pp. 326-344
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  1. Contributors
  2. pp. v-viii
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  1. Editor’s Note
  2. Jessica Faust
  3. pp. ix-x
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