In this Issue

Table of Contents

Firing Line and the Black Revolution

Heather Hendershot
pp. 1-26
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Phase IV: Saul Bass’s Sci-fi Vision Lost and Regained

Sean Savage
pp. 27-50
DOI: https://doi.org/10.5749/movingimage.14.2.0027
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Something Weird This Way Comes: Mike Vraney (1957–2014)

David Church
pp. 51-67
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Framing Race in the Arizona Borderlands: The Western Ways Apache Scouts and Sells Indian Rodeo Films

Jennifer L. Jenkins
pp. 68-95
free access

As the Archive Turned: Writing Film Histories without Films

Eric Smoodin
pp. 96-100
DOI: https://doi.org/10.5749/movingimage.14.2.0096
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Archives and Their Film Collection in a Digital World; or, What Futures for the Analog Print?

Sabine Lenk
pp. 100-110
DOI: https://doi.org/10.5749/movingimage.14.2.0100
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Orphan Jackie: The Unexpected Rediscovery of Kiss My Lips, Artchie

Eric Cheevers
pp. 111-112
DOI: https://doi.org/10.5749/movingimage.14.2.0111
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Learning with the Lights Off: Educational Film in the United States ed. by Devin Orgeron, Marsha Orgeron, Dan Streible (review)

Joseph Clark
pp. 113-115
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Hollywood’s Copyright Wars: From Edison to the Internet by Peter Decherney (review)

Rick Prelinger
pp. 115-117
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Come Back, Africa: The Films of Lionel Rogosin, Volume II (review)

Caitlin McClune
pp. 118-120
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World on a Wire (1973) (review)

Brian Faucette
pp. 121-123
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Underground (1928) (review)

Robert Byrne
pp. 123-126
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Wunderkino IV: Visions of House and Home—Fifteenth Annual Northeast Historic Film Summer Symposium (review)

Liz Czach
pp. 127-129
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A Numerate Film History? Cinemetrics Looks at Griffith, Sennett, and Chaplin (1909–17) (review)

Zdenko Mandušić
pp. 130-133
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Editors’ Foreword

Susan Ohmer, Donald Crafton
pp. vii-x
DOI: https://doi.org/10.5749/movingimage.14.2.0vii
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