restricted access   Volume 14, Number 2, Fall 2014

Table of Contents

Editors’ Foreword

pp. vii-x


Firing Line and the Black Revolution

pp. 1-26

Phase IV: Saul Bass’s Sci-fi Vision Lost and Regained

pp. 27-50

Something Weird This Way Comes: Mike Vraney (1957–2014)

pp. 51-67

Framing Race in the Arizona Borderlands: The Western Ways Apache Scouts and Sells Indian Rodeo Films

pp. 68-95


As the Archive Turned: Writing Film Histories without Films

pp. 96-100

Archives and Their Film Collection in a Digital World; or, What Futures for the Analog Print?

pp. 100-110

Orphan Jackie: The Unexpected Rediscovery of Kiss My Lips, Artchie

pp. 111-112



Learning with the Lights Off: Educational Film in the United States ed. by Devin Orgeron, Marsha Orgeron, Dan Streible (review)

pp. 113-115

Hollywood’s Copyright Wars: From Edison to the Internet by Peter Decherney (review)

pp. 115-117

Blu-Rays and DVDs

Come Back, Africa: The Films of Lionel Rogosin, Volume II (review)

pp. 118-120

World on a Wire (1973) (review)

pp. 121-123

Underground (1928) (review)

pp. 123-126


Wunderkino IV: Visions of House and Home—Fifteenth Annual Northeast Historic Film Summer Symposium (review)

pp. 127-129

A Numerate Film History? Cinemetrics Looks at Griffith, Sennett, and Chaplin (1909–17) (review)

pp. 130-133