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In this Issue

Table of Contents

  1. Image
  3. p. 1
  4. restricted access
  1. Editorial
  2. Drake Stutesman
  3. pp. 5-6
  4. DOI: https://doi.org/10.13110/framework.56.1.0005
  5. restricted access
  1. Art
  2. Jon Gartenberg
  3. pp. 21-22
  4. DOI: https://doi.org/10.1353/frm.2015.a579199
  5. restricted access
  1. Point of View
  2. Warren Sonbert
  3. pp. 23-26
  4. DOI: https://doi.org/10.13110/framework.56.1.0023
  5. restricted access
  1. Does the Avant-Garde Film Still Exist?
  2. Warren Sonbert
  3. pp. 27-30
  4. DOI: https://doi.org/10.13110/framework.56.1.0027
  5. restricted access
  1. Jerome Robbins
  2. Warren Sonbert
  3. pp. 31-32
  4. DOI: https://doi.org/10.13110/framework.56.1.0031
  5. restricted access
  1. Travel
  2. Jon Gartenberg
  3. pp. 33-34
  4. DOI: https://doi.org/10.1353/frm.2015.a579203
  5. restricted access
  1. Vita
  2. Warren Sonbert
  3. pp. 35-39
  4. DOI: https://doi.org/10.13110/framework.56.1.0035
  5. restricted access
  1. Postcard to Jeff & Suzanne Scher, Germany, 1987
  2. Warren Sonbert
  3. pp. 40-41
  4. DOI: https://doi.org/10.13110/framework.56.1.0040
  5. restricted access
  1. Music
  2. Jon Gartenberg
  3. pp. 43-45
  4. DOI: https://doi.org/10.1353/frm.2015.a579206
  5. restricted access
  1. Malefic Overtures
  2. Warren Sonbert
  3. pp. 46-51
  4. DOI: https://doi.org/10.13110/framework.56.1.0046
  5. restricted access
  1. Some Notes on Capriccio
  2. Warren Sonbert
  3. pp. 55-70
  4. DOI: https://doi.org/10.1353/frm.2015.a579209
  5. restricted access
  1. Capriccio Script
  2. Warren Sonbert
  3. pp. 71-139
  4. DOI: https://doi.org/10.1353/frm.2015.a579210
  5. restricted access
  1. Record Review
  2. Warren Sonbert
  3. pp. 140-141
  4. DOI: https://doi.org/10.13110/framework.56.1.0140
  5. restricted access
  1. Poetry
  2. Jon Gartenberg
  3. pp. 143-144
  4. DOI: https://doi.org/10.1353/frm.2015.a579212
  5. restricted access
  1. Warren Sonbert Interview
  2. Warren Sonbert
  3. pp. 145-149
  4. DOI: https://doi.org/10.13110/framework.56.1.0145
  5. restricted access
  1. Film Syntax
  2. Warren Sonbert
  3. pp. 150-153
  4. DOI: https://doi.org/10.13110/framework.56.1.0150
  5. restricted access
  1. Film
  2. Jon Gartenberg
  3. pp. 155-159
  4. DOI: https://doi.org/10.1353/frm.2015.a579215
  5. restricted access
  1. Warren Sonbert Lecture, San Francisco Art Institute, August 1979
  2. Warren Sonbert
  3. pp. 160-176
  4. DOI: https://doi.org/10.13110/framework.56.1.0160
  5. restricted access
  1. Rude Awakening Shot List
  2. Warren Sonbert
  3. pp. 177-185
  4. DOI: https://doi.org/10.1353/frm.2015.a579217
  5. restricted access
  1. Letter [excerpt 1] to Nathaniel Dorsky and Jerome Hiler
  2. Warren Sonbert
  3. pp. 186-188
  4. DOI: https://doi.org/10.13110/framework.56.1.0204
  5. restricted access
  1. Program Notes: Carriage Trade
  2. Warren Sonbert
  3. pp. 189-190
  4. DOI: https://doi.org/10.1353/frm.2015.a579219
  5. restricted access
  1. Program Notes for Screening of Carriage Trade and Rude Awakening
  2. Warren Sonbert
  3. pp. 191-194
  4. DOI: https://doi.org/10.1353/frm.2015.a579220
  5. restricted access
  1. Lecture Topics
  2. Warren Sonbert
  3. p. 195
  4. DOI: https://doi.org/10.13110/framework.56.1.0195
  5. restricted access
  1. Warren Sonbert Filmography
  2. Warren Sonbert
  3. p. 196
  4. DOI: https://doi.org/10.13110/framework.56.1.0196
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  1. Interview with Jean-Luc Godard
  2. Warren Sonbert
  3. pp. 197-199
  4. DOI: https://doi.org/10.13110/framework.56.1.0197
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  1. Alfred Hitchcock, Master of Morality
  2. Warren Sonbert
  3. pp. 200-203
  4. DOI: https://doi.org/10.13110/framework.56.1.0200
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  1. Letter [excerpt 2] to Nathaniel Dorsky and Jerome Hiler
  2. Warren Sonbert
  3. pp. 204-207
  4. DOI: https://doi.org/10.1353/frm.2015.a579225
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  1. Warren Sonbert on Marnie
  2. Warren Sonbert
  3. pp. 208-213
  4. DOI: https://doi.org/10.1353/frm.2015.a579226
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  1. Douglas Sirk and the Melodrama
  2. Warren Sonbert
  3. pp. 214-219
  4. DOI: https://doi.org/10.13110/framework.56.1.0214
  5. restricted access
  1. Postcard to Jeff Scher [and] Suzanne Fedak, US, c. 1980
  2. Warren Sonbert
  3. p. 220
  4. DOI: https://doi.org/10.13110/framework.56.1.0220
  5. restricted access
  1. Factory Work
  2. Warren Sonbert
  3. pp. 221-222
  4. DOI: https://doi.org/10.13110/framework.56.1.0221
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  1. Program Notes for PFA on Nathaniel Dorsky
  2. Warren Sonbert
  3. p. 223
  4. DOI: https://doi.org/10.13110/framework.56.1.0223
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  1. Filmmaker Nathaniel Dorsky in Person
  2. Warren Sonbert
  3. p. 224
  4. DOI: https://doi.org/10.13110/framework.56.1.0224
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  1. Aggressive Genius
  2. Warren Sonbert
  3. p. 225
  4. DOI: https://doi.org/10.13110/framework.56.1.0225
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  1. Cruising: Some Afterthoughts/Views from an Outsider
  2. Warren Sonbert
  3. pp. 226-232
  4. DOI: https://doi.org/10.13110/framework.56.1.0226
  5. restricted access
  1. Reel Companions: Contemporary Gay Cinema
  2. Warren Sonbert
  3. pp. 233-237
  4. DOI: https://doi.org/10.13110/framework.56.1.0233
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  1. Warren Sonbert Filmography
  3. pp. 239-240
  4. DOI: https://doi.org/10.1353/frm.2015.a579235
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  1. Credits
  3. pp. 241-243
  4. DOI: https://doi.org/10.1353/frm.2015.a579236
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  1. Acknowledgments and Accreditations
  3. pp. 7-8
  4. DOI: https://doi.org/10.1353/frm.2015.a579196
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  1. Preface
  2. Ascension Serrano
  3. pp. 9-10
  4. DOI: https://doi.org/10.13110/framework.56.1.0009
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  1. Introduction: A Delicate Balance: Warren Sonbert’s Creative Legacy
  2. Jon Gartenberg
  3. pp. 11-20
  4. DOI: https://doi.org/10.1353/frm.2015.a579198
  5. restricted access
  1. Sonbert Introduction to ‘Some Notes on Capriccio’
  2. Warren Sonbert
  3. pp. 52-54
  4. DOI: https://doi.org/10.13110/framework.56.1.0052
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  1. Appendices
  3. pp. 244-264
  4. DOI: https://doi.org/10.1353/frm.2015.a579237
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