1. Pleasure Reading
  3. p. 1
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  1. Hardtack
  2. Hester Blum
  3. pp. 2-6
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  1. Surfacing (in the Heat of Reading): Is It Like Kissing or Some Other Sex Act?
  2. Kathryn Bond Stockton
  3. pp. 7-13
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  1. Emerson, Embryology, and Culture
  2. Jennifer J. Baker
  3. pp. 15-39
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  1. The Civil War’s “Empty Sleeve” and the Cultural Production of Disabled Americans
  2. Colleen Glenney Boggs
  3. pp. 41-65
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  1. The Wind of Words: Plagiarism and Intertextuality in Of One Blood
  2. Geoffrey Sanborn
  3. pp. 67-87
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  1. Toward a Genealogy of Americanist Expressionism
  2. Ryan Carr
  3. pp. 89-117
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  1. Race and Architectural Geometry: Thomas Jefferson’s Octagons
  2. Irene Cheng
  3. pp. 121-130
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  1. Visualizing Race Science in Benito Cereno
  2. Christine Yao
  3. pp. 130-137
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  1. Uncle Tom’s Cabin and the Archives of Racial Performance
  2. Alex W. Black
  3. pp. 138-146
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  1. Visualizing Racial Mixture and Movement: Music, Notation, Illustration
  2. Brigitte Fielder
  3. pp. 146-155
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  1. Cotton Babies, Mama’s Maybe: Invention, Matter, and Mythology in Kara Walker’s 8 Possible Beginnings
  2. Janet Neary
  3. pp. 156-163
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  1. Tracking Prehistory
  2. Dana Luciano
  3. pp. 173-181
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  1. Monstrosity, Colonialism, and the Racial State
  2. Sylvester Johnson
  3. pp. 173-181
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  1. Whales, Cannibals, and Second Nature
  2. Richard J. Callahan Jr.
  3. pp. 190-197
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  1. Monstrously Unpositable: Primitive Accumulation and the Aesthetic Arc of Capital
  2. Jordan/a Rosenberg
  3. pp. 197-204
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  1. Specters of Reason: Kantian Things and the Fragile Terrors of Philosophy
  2. Jason Ānanda Josephson
  3. pp. 204-211
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  1. Contributor Biographies
  3. pp. 213-217
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  1. Introduction
  2. Shirley Samuels
  3. pp. 119-121
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  1. Introduction: Duty Now For The Future
  2. John Lardas Modern
  3. pp. 165-173
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