In this Issue

Table of Contents

The Style of Walter Frye and an Anonymous Mass in the Lucca Choirbook

James Cook
pp. 1-27
restricted access

Beyond Falstaff in ‘Die lustigen Weiber von Windsor’: Otto Nicolai’s Revolutionary ‘Wives’

John R Severn
pp. 28-54
restricted access

Music, Memory, Emotion: Richard Strauss and the Legacies of War

Neil Gregor
pp. 55-76
restricted access

Hanns Eisler on the Move: Tracing Mobility in the ‘Reisesonate’

Andrea F. Bohlman, Florian Scheding
pp. 77-98
restricted access

Ferneyhough Hero: Scholarship as Promotion

Ian Pace
pp. 99-112
restricted access

The Art of Grafted Song: Citation and Allusion in the Age of Machaut by Yolanda Plumley (review)

Catherine A. Bradley
pp. 113-115
restricted access

A Paradise of Priests: Singing the Civic and Episcopal Hagiography of Medieval Liège by Catherine Saucier (review)

Matthew Cheung Salisbury
pp. 115-116
restricted access

Byrd by Kerry McCarthy (review)

Jeremy L. Smith
pp. 116-118
restricted access

Word, Image and Song: Essays on Early Modern Italy ed. by Rebecca Cypess, Beth L. Glixon, Nathan Link (review)

Jennifer Halton
pp. 119-121
restricted access

Interpreting Historical Keyboard Music: Sources, Contexts and Performance ed. by Andrew Woolley, John Kitchen (review)

David Chung
pp. 121-123
restricted access

Music and the City: Musical Cultures and Urban Societies in the Southern Netherlands and beyond, c.1650–1800 ed. by Stefanie Beghein, Bruno Blondé, Eugeen Schreurs (review)

Henri Vanhulst, Chris Murray
pp. 123-124
restricted access

Lorenz Christoph Mizler de Kolof: Schüler Bachs und Pythagoreischer ‘Apostel der Wolffischen Philosophie’ by Lutz Felbick (review)

Stephen A Crist
pp. 125-128
restricted access

The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Rosetti by Sterling E. Murray (review)

Vassilis Vavoulis
pp. 128-130
restricted access

Playing the Cello, 1780–1930 by George Kennaway (review)

Marc Vanscheeuwijck
pp. 130-133
restricted access

Perspectives on the Performance of French Piano Music ed. by Scott McCarrey, Lesley A. Wright (review)

Laura Hamer
pp. 133-135
restricted access

A Kingdom not of this World: Wagner, the Arts, and Utopian Visions in Fin-de-Siècle Vienna by Kevin C. Karnes (review)

David Larkin
pp. 135-138
restricted access

The French Symphony at the Fin de Siècle: Style, Culture and the Symphonic Tradition by Andrew Deruchie (review)

Michael Strasser
pp. 138-140
restricted access

Opera in the British Isles, 1875–1918 by Paul Rodmell (review)

Steven Martin
pp. 140-143
restricted access

Rachmaninoff’s Complete Songs: A Companion with Texts and Translations by Richard D. Sylvester (review)

Philip Ross Bullock
pp. 143-145
restricted access

Balanchine and the Lost Muse: Revolution and the Making of a Choreographer by Elizabeth Kendall (review)

Stephanie A. Jordan
pp. 145-147
restricted access

Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era by Larry Hamberlin (review)

Nigel Simeone
pp. 147-148
restricted access

Messiaen Perspectives 1: Sources and Influences ed. by Christopher Dingle, Robert Fallon, and: Messiaen Perspectives 2: Techniques, Influence and Reception ed. by Christopher Dingle, Robert Fallon (review)

Gareth Healey
pp. 148-151
restricted access

Roadshow: The Fall of Film Musicals in the 1960s by Matthew Kennedy (review)

Kelly Kessler
pp. 151-153
restricted access

Rhymin’ and Stealin’: Musical Borrowing in Hip-Hop by Justin A. Williams (review)

J. Griffith Rollefson
pp. 153-155
restricted access

Music and Ethical Responsibility by Jeff R. Warren (review)

Marcel Cobussen
pp. 155-158
restricted access

Correspondence: To the Editors of ‘Music & Letters’

H. Diack Johnstone
p. 159
restricted access

Recipients of ‘Music & Letters’ Awards

p. 160
restricted access

‘Music & Letters’ Awards

p. 163
restricted access

Authors of Articles in This Issue

p. 163
restricted access

Books Received

pp. 164-165
restricted access