1. “I do not love”: Rethinking W.B. Yeats’s “Elegies” of Major Robert Gregory
  2. Kevin Riel
  3. pp. 1-15
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  1. Yeats, The Arrow, and the Aesthetics of a “national, moral culture”: The Blanco Posnet Affair
  2. Bernard McKenna
  3. pp. 16-28
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  1. Storytelling and Alienated Labor: Joyce, Benjamin, and the Narrative Wording Class
  2. David P. Rando
  3. pp. 29-44
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  1. “Khaki Hamlets Don’t Hesitate”: A Semiological Reading of References to the Boer War and Concentration Camps in Joyce’s Ulysses
  2. Leona Toker
  3. pp. 45-58
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  1. “Welcomers”: James Joyce and Frederic W. H. Myers
  2. Erik H. Schneider
  3. pp. 59-70
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  1. Looking for the Bilder: The Subversion of Ocularcentrism in Finnegans Wake
  2. Roy Benjamin
  3. pp. 71-85
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  1. “Not a soul in sight!”: Beckett’s Fourth Wall
  2. Nathaniel Davis
  3. pp. 86-102
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  1. Glitches in Logic in Beckett’s Watt: Toward a Sensory Poetics
  2. Amanda M. Dennis
  3. pp. 103-116
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  1. “Haze Sole Certitude”: Beckett’s Late Vaguenings
  2. Graham Fraser
  3. pp. 117-133
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  1. Deleuze’s Monstrous Beckett: Movement and Paralysis
  2. Paul Ardoin
  3. pp. 134-149
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  1. The Illusionless: Adorno and the Afterlife of Laughter in How It Is
  2. Michelle Rada
  3. pp. 150-167
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  1. “Getting known”: A Review of Publishing Samuel Beckett
  2. Alison Howard
  3. pp. 168-173
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  1. Malfunctioning Machines: Replaying The Plays of Samuel Beckett by Katherine Weiss
  2. Rivky Mondal
  3. pp. 168-173
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  1. Passing on the Theme of Creative Renewal to Joyce’s Many Readers
  2. Janina Levin
  3. pp. 178-182
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  1. Revolutionary Joyce
  2. Sheldon Brivic
  3. pp. 183-190
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  1. The Cultures of Modernism
  2. Salvatore Pappalardo
  3. pp. 191-199
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  1. Editor’s Introduction: Irish Modernism
  2. Jean-Michel Rabaté
  3. pp. v-vi
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  1. Notes on Contributors
  2. pp. 200-202
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