1. Future History: Wagner, Offenbach, and “la musique de l’avenir” in Paris, 1860
  2. Flora Willson
  3. pp. 287-314
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  1. Opera’s Screen Metamorphosis: The Survival of a Genre or a Matter of Translation?
  2. João Pedro Cachopo
  3. pp. 315-329
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  1. Camões in Brazil: Operetta and Portuguese Culture in Rio de Janeiro, circa 1880
  2. Luísa Cymbron, Susan R. Thomas
  3. pp. 330-361
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  1. Virtually There: Site-Specific Performance on Screen Peter Grimes on Aldeburgh Beach
  2. Danielle Ward-Griffin
  3. pp. 362-368
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