1. Petrarchan Narratives: Representation and Hermeneutics
  2. Robert R. Edwards
  3. pp. 1-23
  4. DOI: 10.1353/mln.2015.0004
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  1. Naïve Physics and Cosmic Perspective-Taking in Dante’s Commedia and Calvino’s Cosmicomiche
  2. Marco Caracciolo
  3. pp. 24-41
  4. DOI: 10.1353/mln.2015.0006
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  1. The Dangers and Virtues of Theatricality in Ariosto’s Orlando Furioso
  2. Jack D’Amico
  3. pp. 42-62
  4. DOI: 10.1353/mln.2015.0007
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  1. Terribile meraviglia: Animismo artistico, empatia ed ekplexis nella poesia di Giovan Battista Marino
  2. Christine Ott
  3. pp. 63-85
  4. DOI: 10.1353/mln.2015.0000
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  1. Alessandro Verri and the End of the Philosophical Journey of the European Enlightenment
  2. Robert Bufalini
  3. pp. 86-104
  4. DOI: 10.1353/mln.2015.0001
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  1. Betting Against Themselves: Conflicting Conceptions of Love in Così fan tutte, o: la scola degli amanti
  2. Giuseppe Gazzola
  3. pp. 105-123
  4. DOI: 10.1353/mln.2015.0002
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  1. The Death of the Angel: Games of Seduction and Moral Destruction in Gabriele D’Annunzio’s Il Piacere
  2. Michela Barisonzi
  3. pp. 124-144
  4. DOI: 10.1353/mln.2015.0003
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  1. The Governance of Friendship. Law and Gender in the Decameron by Michael Sherberg (review)
  2. Francesco Ciabattoni
  3. pp. 145-147
  4. DOI: 10.1353/mln.2015.0005
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