In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 36, Number 1, 2015Table of Contents
pp. 29-47
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View Recalibrating O’Neill’s Modern Tragedy: Staging Long Day’s Journey Into Night in the Low Countries
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Recalibrating O’Neill’s Modern Tragedy: Staging Long Day’s Journey Into Night in the Low Countries
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pp. 73-79
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View Global O’Neill: A Portfolio of Photographs from the Baxter Theatre Centre Production of Desire under the Elms
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Global O’Neill: A Portfolio of Photographs from the Baxter Theatre Centre Production of Desire under the Elms
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pp. 80-85
pp. 90-92
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View Long Day’s Journey Into Night. Critical Edition ed. by William Davies King: Critical Edition (review)
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Long Day’s Journey Into Night. Critical Edition ed. by William Davies King: Critical Edition (review)
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pp. 108-110
pp. V-XIV
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| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2015-03-30 |
| Open Access | No |
