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In this Issue

Table of Contents

  1. The Theatre and Its Poor: Neoliberal Economies of Waste and Gold in Les Misérables (1985) and Road (1986)
  2. Jenny Hughes
  3. pp. 1-19
  4. DOI: https://doi.org/10.1353/tj.2015.0017
  5. restricted access
  1. Phantom Limbs and the Weight of Grief in Sasha Waltz’s noBody
  2. Brandon Shaw
  3. pp. 21-42
  4. DOI: https://doi.org/10.1353/tj.2015.0022
  5. restricted access
  1. Voice, Identity, Presence: Aural Images of Stammering in Victoria Hanna’s Performance Signals
  2. Ruthie Abeliovich
  3. pp. 43-61
  4. DOI: https://doi.org/10.1353/tj.2015.0027
  5. restricted access
  1. Performing the Archive: History and Memory in Recent German Theatre
  2. Matthew Cornish
  3. pp. 63-82
  4. DOI: https://doi.org/10.1353/tj.2015.0032
  5. restricted access
  1. Comédien–Actor–Paradoxe: The Anglo-French Sources of Diderot’s Paradoxe sur le comédien
  2. James Harriman-Smith
  3. pp. 83-96
  4. DOI: https://doi.org/10.1353/tj.2015.0004
  5. restricted access
  1. Mothers and Sons by Terrence McNally (review)
  2. David Román
  3. pp. 97-100
  4. DOI: https://doi.org/10.1353/tj.2015.0009
  5. restricted access
  1. Hit the Wall by Ike Holter (review)
  2. Chloe Johnston
  3. pp. 100-102
  4. DOI: https://doi.org/10.1353/tj.2015.0015
  5. restricted access
  1. Otro Teatro (review)
  2. Alexandra Ripp
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/tj.2015.0020
  5. restricted access
  1. South Africa’s 40th Anniversary National Arts Festival (review)
  2. Megan Lewis
  3. pp. 104-109
  4. DOI: https://doi.org/10.1353/tj.2015.0025
  5. restricted access
  1. Bankrupt by Galiäsgar Kamal, and: The Blue Shawl by Kärim Tinchurin, and: Mullah by Tufan Minnulin
  2. Robert Crane
  3. pp. 109-113
  4. DOI: https://doi.org/10.1353/tj.2015.0030
  5. restricted access
  1. Kirsikkapuisto (The Cherry Orchard) by Anton Chekhov (review)
  2. Wade Hollingshaus
  3. pp. 113-115
  4. DOI: https://doi.org/10.1353/tj.2015.0002
  5. restricted access
  1. Macbeth by William Shakespeare (review)
  2. Dominic Glynn
  3. pp. 115-117
  4. DOI: https://doi.org/10.1353/tj.2015.0007
  5. restricted access
  1. Illinois Shakespeare Festival (review)
  2. Megan E. Geigner
  3. pp. 117-119
  4. DOI: https://doi.org/10.1353/tj.2015.0013
  5. restricted access
  1. Springs Eternal by Susan Glaspell (review)
  2. Sherry Engle
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/tj.2015.0018
  5. restricted access
  1. The Silver Tassie by Sean O’Casey (review)
  2. Robert Hubbard
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/tj.2015.0023
  5. restricted access
  1. Holler If Ya Hear Meby Todd Kriedler (review)
  2. Stacie Selmon McCormick
  3. pp. 124-127
  4. DOI: https://doi.org/10.1353/tj.2015.0028
  5. restricted access
  1. Nomads by Julia Jarcho (review)
  2. Jennifer Cayer
  3. pp. 127-129
  4. DOI: https://doi.org/10.1353/tj.2015.0000
  5. restricted access
  1. 38th Humana Festival of New American Plays (review)
  2. Scott t. Cummings
  3. pp. 129-134
  4. DOI: https://doi.org/10.1353/tj.2015.0005
  5. restricted access
  1. The Real and Its Outliers (review)
  2. Carol Martin
  3. pp. 135-146
  4. DOI: https://doi.org/10.1353/tj.2015.0010
  5. restricted access
  1. The Queen’s Dumbshows: John Lyd-Gate and the Making of Early Theater by Claire Sponsler (review)
  2. Lofton L. Durham
  3. pp. 147-148
  4. DOI: https://doi.org/10.1353/tj.2015.0016
  5. restricted access
  1. Shakespeare’s Curse: The Aporias of Ritual Exclusion in Early Modern Royal Drama by Björn Quiring (review)
  2. Matthew Vadnais
  3. pp. 148-149
  4. DOI: https://doi.org/10.1353/tj.2015.0021
  5. restricted access
  1. Music for the Melodramatic Theatre in Nineteenth-Century London and New York by Michael V. Pisani (review)
  2. Matthew T. Shifflett
  3. pp. 149-151
  4. DOI: https://doi.org/10.1353/tj.2015.0026
  5. restricted access
  1. The Group Theatre: Passion, Politics, and Performance in the Depression Era by Helen Krich Chinoy (review)
  2. Fonzie D. Geary II
  3. pp. 151-152
  4. DOI: https://doi.org/10.1353/tj.2015.0031
  5. restricted access
  1. The Great White Way: Race and the Broadway Musical by Warren Hoffman (review)
  2. John M. Clum
  3. pp. 152-153
  4. DOI: https://doi.org/10.1353/tj.2015.0003
  5. restricted access
  1. Sexual Politics in the Work of Tennessee Williams: Desire Over Protest by Michael S. D. Hooper (review)
  2. Brenda Murphy
  3. pp. 153-154
  4. DOI: https://doi.org/10.1353/tj.2015.0008
  5. restricted access
  1. The Politics and Poetics of Contemporary English Tragedy by Sean Carney (review)
  2. Ariel Watson
  3. pp. 155-156
  4. DOI: https://doi.org/10.1353/tj.2015.0014
  5. restricted access
  1. The Ghosts of the Avant-Garde(S): Exorcising Experimental Theater and Performance by James M. Harding (review)
  2. Julia Listengarten
  3. pp. 156-157
  4. DOI: https://doi.org/10.1353/tj.2015.0019
  5. restricted access
  1. Beijing Xingwei: Contemporary Chinese Time-Based Art by Meiling Cheng (review)
  2. Jiayun Zhuang
  3. pp. 158-159
  4. DOI: https://doi.org/10.1353/tj.2015.0024
  5. restricted access
  1. Brown Boys and Rice Queens: Spell-Binding Performance in The Asias by Eng-Beng Lim (review)
  2. Arnab Banerji
  3. pp. 159-160
  4. DOI: https://doi.org/10.1353/tj.2015.0029
  5. restricted access
  1. Preaching to Convert: Evangelical Outreach and Performance Activism in A Secular Age by John Fletcher (review)
  2. Hank Willenbrink
  3. pp. 160-162
  4. DOI: https://doi.org/10.1353/tj.2015.0001
  5. restricted access
  1. Theatre & Animals by Lourdes Orozco, and: Animal Acts: Performing Species Today ed. by Una Chaudhuri, Holly Hughes (review)
  2. Season Ellison
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/tj.2015.0006
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  1. Editorial Comment: Vocalic Bodies, Scriptive Things, Phantom Limbs, and Other Paradoxes
  2. Ric Knowles
  3. pp. ix-xi
  4. DOI: https://doi.org/10.1353/tj.2015.0011
  5. restricted access
  1. Books Received
  3. pp. 164-174
  4. DOI: https://doi.org/10.1353/tj.2015.0012
  5. restricted access