In this Issue

Table of Contents

The Fact of Noncorrespondence

David Scott
pp. 1-4
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Reading Rousseau in the Colonies: Theory, Practice, and the Question of Slavery

Fayçal Falaky
pp. 5-19
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Rereading the Diminutive: Caribbean Chaos Theory in Antonio Benítez-Rojo, Edouard Glissant, and Wilson Harris

Jeannine Murray-Román
pp. 20-36
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Caribbean Regionalism, South Africa, and Mapping New World Studies

Victoria J. Collis-Buthelezi
pp. 37-54
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“Todos los negros y todos los blancos y todos tomamos café”: Race and the Cuban Revolution in Nicolás Guillén Landrián’s Coffea arábiga

Anne Garland Mahler
pp. 55-75
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Stuart Hall and the Visual Arts

Kobena Mercer
pp. 76-87
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New Points of Recognition: Stuart Hall’s Gift to the Study of Blackness

Michelle Stephens
pp. 88-99
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What Is to Be Done (at the University)?: Stuart Hall, Critique, and the Institution

Maxime Cervulle, David Scott
pp. 100-108
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Stuart Hall and Writing Structured like Music

Liv Sovik
pp. 109-117
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Caribbean Queer Visualities

A Small Axe Project Statement
pp. 118-122
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Portfolio I

Ewan Atkinson
pp. 126-129
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Portfolio I

Ebony G. Patterson
pp. 130-133
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Portfolio I

Andil Gosine
pp. 134-137
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Portfolio I

Kareem Mortimer
pp. 138-141
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Portfolio I

Leasho Johnson
pp. 142-145
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Categories, Citizenship, Erotic Agency, and the Problem of Freedom

Michaeline A. Crichlow
pp. 147-158
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Erotics in Medias Res: Topping Caribbean Studies from the Bottom?

Jafari S. Allen
pp. 159-168
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Historical Temporality and Generational Identity: Of Standoffs and Stalled Time

Mimi Sheller
pp. 169-177
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Contributors

pp. 178-181
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