1. Page 2: Crisis? What Crisis?
  2. Jeffrey R. Di Leo
  3. pp. 2-15
  4. DOI: 10.1353/abr.2014.0159
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  1. Xipe Totec
  2. Adelaide M. Russo
  3. pp. 4-5
  4. DOI: 10.1353/abr.2014.0141
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  1. How to Do Things with a Life
  2. Richard Deming
  3. pp. 6-7
  4. DOI: 10.1353/abr.2014.0145
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  1. Crisis and Criticism
  2. Michael G. Levine
  3. pp. 7-8
  4. DOI: 10.1353/abr.2014.0149
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  1. A Critical School for Scandal?
  2. Henry Sussman
  3. pp. 9-10
  4. DOI: 10.1353/abr.2014.0153
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  1. How to Be a Critic
  2. Jeffrey R. Di Leo
  3. p. 11
  4. DOI: 10.1353/abr.2014.0157
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  1. To Creed or Not to Creed
  2. Terry Caesar
  3. p. 12
  4. DOI: 10.1353/abr.2014.0161
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  1. Flight 182
  2. Kolby Harvey
  3. p. 13
  4. DOI: 10.1353/abr.2014.0165
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  1. Unhappy in Their Own Way
  2. Judith Podell
  3. p. 14
  4. DOI: 10.1353/abr.2014.0143
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  1. Lost at Sea
  2. Lavinia Ludlow
  3. p. 15
  4. DOI: 10.1353/abr.2014.0147
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  1. Gentleman Publisher
  2. Kurt Hemmer
  3. p. 16
  4. DOI: 10.1353/abr.2014.0151
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  1. Fingerprints and Footsteps
  2. Dinda L. Gorlée
  3. p. 17
  4. DOI: 10.1353/abr.2014.0155
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  1. Misty Mountain Top
  2. Myrdene Anderson
  3. p. 18
  4. DOI: 10.1353/abr.2014.0160
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  1. An Adjunct’s Dish
  2. Patrick Wensink
  3. pp. 18-19
  4. DOI: 10.1353/abr.2014.0164
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  1. Both Nostalgic and Sinister
  2. Claudia Smith Chen
  3. pp. 19-20
  4. DOI: 10.1353/abr.2014.0142
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  1. Burning in Hell
  2. Ron Capshaw
  3. p. 20
  4. DOI: 10.1353/abr.2014.0146
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  1. Baroque Monster?
  2. Daniel T. O’Hara
  3. p. 22
  4. DOI: 10.1353/abr.2014.0150
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  1. By Means of a Camera
  2. Ellen Handy
  3. p. 23
  4. DOI: 10.1353/abr.2014.0154
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  1. Wounds of an Artist
  2. Stephanie Rauschenbusch
  3. p. 24
  4. DOI: 10.1353/abr.2014.0158
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  1. Stripping Down
  2. Beth McDermott
  3. p. 25
  4. DOI: 10.1353/abr.2014.0162
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  1. Steel Drivin’ Man
  2. Ron Riekki
  3. p. 26
  4. DOI: 10.1353/abr.2014.0166
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  1. Learning from Anyone’s Everywhere
  2. Tom Marshall
  3. pp. 26-27
  4. DOI: 10.1353/abr.2014.0144
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  1. Shamanic Calling
  2. Duane Niatum
  3. p. 28
  4. DOI: 10.1353/abr.2014.0148
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  1. From Our Own
  2. Douglas Field
  3. p. 30
  4. DOI: 10.1353/abr.2014.0152
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  1. Scenes: Sorry House: an interview with Spencer Madsen
  3. p. 31
  4. DOI: 10.1353/abr.2014.0156
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  1. Introduction to Focus: Writing the Life of Writing—Biography’s Exigency
  2. Henry Sussman
  3. pp. 3-4
  4. DOI: 10.1353/abr.2014.0163
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