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Table of Contents

  1. Introduction: Warhol’s Aesthetics
  2. Jonathan Flatley, Anthony E. Grudin
  3. pp. 419-423
  4. DOI: https://doi.org/10.13110/criticism.56.3.0419
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  1. “My Wife”: The Tape Recorder and Warhol’s Queer Ways of Listening
  2. Gustavus Stadler
  3. pp. 425-456
  4. DOI: https://doi.org/10.13110/criticism.56.3.0425
  5. restricted access
  1. Stroboscopic: Warhol and the Exploding Plastic Inevitable
  2. Homay King
  3. pp. 457-479
  4. DOI: https://doi.org/10.13110/criticism.56.3.0457
  5. restricted access
  1. Disco, Cybernetics, and the Migration of Warhol’s Shadows into Computation
  2. Tan Lin
  3. pp. 481-523
  4. DOI: https://doi.org/10.13110/criticism.56.3.0481
  5. restricted access
  1. Personification and Consumption
  2. Oleg Aronson, Helen Petrovsky
  3. pp. 525-534
  4. DOI: https://doi.org/10.13110/criticism.56.3.0525
  5. restricted access
  1. Making Money/Printing Painting: Warhol’s Dollar Bill Paintings
  2. Neil Printz
  3. pp. 535-557
  4. DOI: https://doi.org/10.13110/criticism.56.3.0535
  5. restricted access
  1. One Blue Pussy
  2. Lucy Mulroney
  3. pp. 559-592
  4. DOI: https://doi.org/10.13110/criticism.56.3.0559
  5. restricted access
  1. Warhol’s Animal Life
  2. Anthony E. Grudin
  3. pp. 593-622
  4. DOI: https://doi.org/10.13110/criticism.56.3.0593
  5. restricted access
  1. Warhol’s 1960s’ Films, Amphetamine, and Queer Materiality
  2. Juan A. Suárez
  3. pp. 623-651
  4. DOI: https://doi.org/10.1353/crt.2014.a576660
  5. restricted access
  1. Drugtime
  2. Chelsea Weathers
  3. pp. 652-685
  4. DOI: https://doi.org/10.13110/criticism.56.3.0653
  5. restricted access
  1. Warhol’s Time Capsule 51
  2. Matt Wrbican
  3. pp. 686-699
  4. DOI: https://doi.org/10.1353/crt.2014.a576662
  5. restricted access