+ MUSE Alert

In this Issue

Table of Contents

Articles

  1. Renaissance Women’s Performance and the Dramatic Canon: Theater History, Evidence, and Narratives
  2. Clare McManus, Lucy Munro
  3. pp. 1-7
  4. DOI: https://doi.org/10.1353/shb.2015.0015
  5. restricted access
  1. The Ongoing Exploration of Women and Performance in Early Modern England: Evidences, Issues, and Questions
  2. James Stokes
  3. pp. 9-31
  4. DOI: https://doi.org/10.1353/shb.2015.0018
  5. restricted access
  1. “It is a pity you are not a woman”: John Lyly and the Creation of Woman
  2. Andy Kesson
  3. pp. 33-47
  4. DOI: https://doi.org/10.1353/shb.2015.0001
  5. restricted access
  1. Anatomy of an Actress: Bel-imperia as Tragic Diva
  2. Pamela Allen Brown
  3. pp. 49-65
  4. DOI: https://doi.org/10.1353/shb.2015.0004
  5. restricted access
  1. The Actress and Baroque Aesthetic Effects in Renaissance Drama
  2. Sophie Tomlinson
  3. pp. 67-82
  4. DOI: https://doi.org/10.1353/shb.2015.0007
  5. restricted access
  1. The “Play-Boy,” the Female Performer, and the Art of Portraying a Lady
  2. Roberta Barker
  3. pp. 83-97
  4. DOI: https://doi.org/10.1353/shb.2015.0010
  5. restricted access
  1. “Sing it Like Poor Barbary”: Othello and Early Modern Women’s Performance
  2. Clare McManus
  3. pp. 99-120
  4. DOI: https://doi.org/10.1353/shb.2015.0013
  5. restricted access
  1. Afterword
  2. Natasha Korda
  3. pp. 121-128
  4. DOI: https://doi.org/10.1353/shb.2015.0017
  5. restricted access

Performance Reviews

  1. As You Like It by Santa Cruz Shakespeare, and: Merry Wives of Windsor by Santa Cruz Shakespeare (review)
  2. Katherine Steele Brokaw
  3. pp. 129-135
  4. DOI: https://doi.org/10.1353/shb.2015.0000
  5. restricted access
  1. Titus Andronicus by TeatrPolski, and: Titus Andronicus by Hiraeth Artistic Productions (review)
  2. Nicoleta Cinpoeş
  3. pp. 135-141
  4. DOI: https://doi.org/10.1353/shb.2015.0003
  5. restricted access
  1. The Two Gentlemen of Verona by Royal Shakespeare Company (review)
  2. Sujata Iyengar
  3. pp. 142-145
  4. DOI: https://doi.org/10.1353/shb.2015.0006
  5. restricted access
  1. Arden of Fevershame by Hoosier Bard Productions (review)
  2. Peter Kanelos
  3. pp. 146-149
  4. DOI: https://doi.org/10.1353/shb.2015.0009
  5. restricted access
  1. Romeo and Juliet by Muse of Fire Theatre Company (review)
  2. Caroline Dodge Latta
  3. pp. 150-153
  4. DOI: https://doi.org/10.1353/shb.2015.0012
  5. restricted access
  1. The Tempest by Shakespeare Theatre of New Jersey, and: The Alchemist by Shakespeare Theatre of New Jersey (review)
  2. Barbara Ann Lukacs
  3. pp. 153-160
  4. DOI: https://doi.org/10.1353/shb.2015.0016
  5. restricted access
  1. Lear by Theatricum Botanicum (review)
  2. John Miller
  3. pp. 160-163
  4. DOI: https://doi.org/10.1353/shb.2015.0019
  5. restricted access
  1. Julius Caesar by Folger Theatre (review)
  2. Noel Sloboda
  3. pp. 163-167
  4. DOI: https://doi.org/10.1353/shb.2015.0002
  5. restricted access
  1. A Midsummer Night’s Dream by Stratford Festival, and: A Midsummer Night’s Dream: A Chamber Play by Stratford Festival (review)
  2. Jenn Stephenson
  3. pp. 168-174
  4. DOI: https://doi.org/10.1353/shb.2015.0005
  5. restricted access
  1. Measure for Measure by Fiasco Theater (review)
  2. Rachel Wagner
  3. pp. 174-177
  4. DOI: https://doi.org/10.1353/shb.2015.0008
  5. restricted access

Book Reviews

  1. Shakespeare’s Irrational Endings: The Problem Plays by David Margolies (review)
  2. Joel Benabu
  3. pp. 179-182
  4. DOI: https://doi.org/10.1353/shb.2015.0011
  5. restricted access
  1. Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse ed. by Andrew Gurr and Farah Karim-Cooper (review)
  2. Andy Kesson
  3. pp. 183-190
  4. DOI: https://doi.org/10.1353/shb.2015.0014
  5. restricted access