1. The Social Worker’s License: Reconstructing Social Selves in the Work of Jessie Taft and Charlotte Perkins Gilman
  2. John Reuland
  3. pp. 1-22
  4. DOI: 10.1353/mod.2015.0009
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  1. Capturing Modernity Jazz, Film, and Moholy-Nagy’s Light Prop for an Electric Stage
  2. Edit Tóth
  3. pp. 23-55
  4. DOI: 10.1353/mod.2015.0013
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  1. Dough Girls and Biscuit Boys The Queer Potential of the Countercommunal Grotesque Body within Modernist Literature
  2. Kristen Renzi
  3. pp. 57-80
  4. DOI: 10.1353/mod.2015.0016
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  1. The Rebel of the Chinese School: Modernist Expression in A Da’s Late Animations
  2. Yuanyuan Chen
  3. pp. 81-104
  4. DOI: 10.1353/mod.2015.0019
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  1. “The news in the Odyssey is still news” Ezra Pound, W. H. D. Rouse, and a Modern Odyssey
  2. Leah Culligan Flack
  3. pp. 105-124
  4. DOI: 10.1353/mod.2015.0001
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  1. Hitchcock’s Underground
  2. David Pike
  3. pp. 125-151
  4. DOI: 10.1353/mod.2015.0004
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  1. “Mountains Being a Language with Me” Marianne Moore, Marsden Hartley, and Modernist Revision
  2. Emily Setina
  3. pp. 153-182
  4. DOI: 10.1353/mod.2015.0007
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  1. Samuel Beckett’s Letters and the “Syntax of Extreme Weakness”
  2. Andre Furlani
  3. pp. 183-191
  4. DOI: 10.1353/mod.2015.0011
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  1. Jasper Johns: Regrets by MoMA, and: Jasper Johns: Regrets by Christophe Cherix and Ann Temkin (review)
  2. Mena Mitrano
  3. pp. 193-197
  4. DOI: 10.1353/mod.2015.0015
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  1. Sabato Rodia’s Towers in Watts ed. by Luisa del Giudice (review)
  2. Lawrence Rainey
  3. pp. 199-202
  4. DOI: 10.1353/mod.2015.0018
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  1. Modernism, Literature, and Dance by Susan Jones (review)
  2. Michelle Clayton
  3. pp. 203-204
  4. DOI: 10.1353/mod.2015.0000
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  1. Gadda Goes to War: Translational Provocations around an Emergency by Fabrizio Gifuni (review)
  2. Victoria Weavil
  3. pp. 205-206
  4. DOI: 10.1353/mod.2015.0003
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  1. TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara by Marius Hentea (review)
  2. Benjamin Kohlmann
  3. pp. 206-208
  4. DOI: 10.1353/mod.2015.0006
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  1. Trials of Arab Modernity: Literary Affects and the New Political by Tarek El-Ariss (review)
  2. Kamran Rastegar
  3. pp. 208-210
  4. DOI: 10.1353/mod.2015.0010
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  1. Women’s Poetry and the First World War (1914–1918) by Argha Banerjee (review)
  2. Stacy Gillis
  3. pp. 210-212
  4. DOI: 10.1353/mod.2015.0014
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  1. Katherine Mansfield and the (Post)colonial ed. by Janet Wilson, Gerri Kimber, and Delia da Sousa Correa (review)
  2. Philip Keel Geheber
  3. pp. 212-214
  4. DOI: 10.1353/mod.2015.0017
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  1. Foundations of the Everyday: Shock, Deferral, Repetition by Eran Dorfman (review)
  2. Rockwell F. Clancy
  3. pp. 214-216
  4. DOI: 10.1353/mod.2015.0020
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  1. Modernism and Autobiography ed. by Maria DiBattista and Emily Wittman (review)
  2. Claire Battershill
  3. pp. 216-217
  4. DOI: 10.1353/mod.2015.0002
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  1. Obscene Modernism: Literary Censorship & Experiment 1900–1940 Rachel Potter (review)
  2. Lisa Z. Sigel
  3. pp. 218-219
  4. DOI: 10.1353/mod.2015.0005
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  1. Rethinking Iranian Nationalism and Modernity ed. by Kamran Scot Aghaie and Afshin Marashi (review)
  2. Farhang Rajaee
  3. pp. 219-221
  4. DOI: 10.1353/mod.2015.0008
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  1. Recent Books of Interest
  3. pp. 223-225
  4. DOI: 10.1353/mod.2015.0012
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