1. John Dos Passos and Harlan: Three Variations on a Theme
  2. Donald Pizer
  3. pp. 1-23
  4. DOI: 10.1353/arq.2015.0004
  5. restricted access View | Download |
  1. The Racial Ends of History: Melancholic Historical Practice in Pauline Hopkins’s Of One Blood
  2. Cedric R. Tolliver
  3. pp. 25-52
  4. DOI: 10.1353/arq.2015.0006
  5. restricted access View | Download |
  1. Ambivalence and the Empire City: Julia de Burgos’s New York
  2. Li Yun Alvarado
  3. pp. 53-81
  4. DOI: 10.1353/arq.2015.0007
  5. restricted access View | Download |
  1. Bits of Autobiography: Radical Deindividualization and Everydayness
  2. James E. Dobson
  3. pp. 83-99
  4. DOI: 10.1353/arq.2015.0000
  5. restricted access View | Download |
  1. “Hiroshima Is Peanuts”: The Strange Landscape of The Day After
  2. Lindsey Michael Banco
  3. pp. 101-128
  4. DOI: 10.1353/arq.2015.0001
  5. restricted access View | Download |
  1. Muriel Rukeyser’s Poetics of Extension and the Politics of Documentary Photography
  2. Justin Parks
  3. pp. 151-179
  4. DOI: 10.1353/arq.2015.0003
  5. restricted access View | Download |
  1. The Contributors
  2. p. 181
  3. DOI: 10.1353/arq.2015.0005
  4. restricted access View | Download |