1. Hamlet’s Mirror Image: Theatre, Film, and The Shakespearean Imaginary
  2. D.J. Hopkins
  3. pp. 7-24
  4. DOI: 10.1353/dtc.2014.0021
  5. restricted access View | Download |
  1. Black Holes in the Mask: Looking Awry on the Feminine Subject in Sharon Pollock’s Blood Relations
  2. Graham Wolfe
  3. pp. 25-44
  4. DOI: 10.1353/dtc.2014.0023
  5. restricted access View | Download |
  1. India on My Mind: French Theatre, Enlightenment Orientalism and The Burning Widow
  2. David Hammerbeck
  3. pp. 45-63
  4. DOI: 10.1353/dtc.2014.0013
  5. restricted access View | Download |
  1. Stanislavsky’s Threshold: Tracking a Historical Paradigm Shift in Acting
  2. Ben Spatz
  3. pp. 81-95
  4. DOI: 10.1353/dtc.2014.0017
  5. restricted access View | Download |
  1. Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)
  2. Jocelyn L. Buckner
  3. pp. 99-100
  4. DOI: 10.1353/dtc.2014.0019
  5. restricted access View | Download |
  1. Political and Protest Theatre after 9/11: Patriotic Dissent ed. by Jenny Spencer (review)
  2. Gibson Alessandro
  3. pp. 101-103
  4. DOI: 10.1353/dtc.2014.0020
  5. restricted access View | Download |
  1. Theatre of the Mind: Imagination, Aesthetics and American Radio Drama by Neil Verma (review)
  2. Lisa Jackson-Schebetta
  3. pp. 103-105
  4. DOI: 10.1353/dtc.2014.0022
  5. restricted access View | Download |
  1. The Sarah Siddons Audio Files: Romanticism and the Lost Voice by Judith Pascoe (review)
  2. Danny Devlin
  3. pp. 106-108
  4. DOI: 10.1353/dtc.2014.0024
  5. restricted access View | Download |
  1. Community Theatre and AIDS by Ola Johansson (review)
  2. Virginia Anderson
  3. pp. 108-110
  4. DOI: 10.1353/dtc.2014.0014
  5. restricted access View | Download |
  1. Books Received
  2. pp. 114-123
  3. DOI: 10.1353/dtc.2014.0018
  4. restricted access View | Download |