In this Issue

Table of Contents

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p. 1
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Sidewalk’s Cloud (2014)

Kader Attia
p. 2
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A Thousand Birds Flying

Eugenio Barba
pp. 8-9
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Who Has Seen the Most?

Joseph Roach
pp. 9-11
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Reggie Wilson and the Traditions of American Dance

Susan Manning
pp. 12-24
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Reggie Wilson in Conversation

Susan Manning
pp. 25-33
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On the Making of Moses(es): Notes from a Dramaturg’s Journal

Susan Manning
pp. 34-54
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Zora, Zar, Ohad, and Nubia: Research Memos for Reggie Wilson’s Moses(es)

Susan Manning
pp. 55-66
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Beyoncé’s Response (eh?): Feeling the Ihi of Spontaneous Haka Performance in Aotearoa/New Zealand

Nicola Hyland
pp. 67-82
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K-Contagion: Sound, Speed, and Space in “Gangnam Style”

Marcus Tan
pp. 83-96
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Theatre in Contested Lands: Repatriating Indigenous Remains

Julie Burelle
pp. 97-118
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Theatre as Action, Dramaturgy as Streben: Cultural Confrontations at Lithuania’s National Drama Theatre

Bryce Lease
pp. 119-135
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Priamaia liniia s Vladimirom Putinym: Performing Democracy Putin-Style

Catherine A. Schuler
pp. 136-160
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Transferred Flesh: Reflections on Senga Nengudi’s R.S.V.P.

Rizvana Bradley
pp. 161-166
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Disability Performance in the Streets: Art Actions in Post-Quake Christchurch

Petra Kuppers
pp. 166-174
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Turbulent Communisms: Raqs Media Collective’s The Last International

Ethan Philbrick
pp. 174-180
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Cultural Struggles: Performance, Ethnography, Praxis by Dwight Conquergood (review)

Renée Alexander Craft
pp. 181-183
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Dancing the New World: Aztecs, Spaniards, and the Choreography of Conquest by Paul A. Scolieri (review)

Angela Marino
pp. 183-184
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The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)

Kate Bredeson
pp. 187-188
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Glorious Catastrophe: Jack Smith, Performance and Visual Culture by Dominic Johnson (review)

Elizabeth Wiet
pp. 189-190
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“We’re People Who Do Shows”: Back to Back Theatre: Performance, Politics, Visibility ed. by Helena Grehan and Peter Eckersall (review)

Theron Schmidt
pp. 190-192
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More Books

Tina Post
pp. 192-194
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The Cambridge Introduction to Theatre Directing ed. by Christopher Innes and Maria Shevtsova (review)

Michael Earley
pp. 185-186
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