1. Browning’s Critique of Organic Form in The Ring and the Book
  2. Michelle Niemann
  3. pp. 445-464
  4. DOI: 10.1353/vp.2014.0018
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  1. “Tulips on Dunghills”: Regendering the Georgic in Barrett Browning’s Aurora Leigh
  2. Karen Hadley
  3. pp. 465-481
  4. DOI: 10.1353/vp.2014.0020
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  1. A Man’s Work Must She Do: Female Manliness in Tennyson’s Gareth and Lynette
  2. Benedick Turner
  3. pp. 483-507
  4. DOI: 10.1353/vp.2014.0022
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  1. General Materials
  2. Albert D. Pionke
  3. pp. 509-515
  4. DOI: 10.1353/vp.2014.0024
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  1. Matthew Arnold
  2. Clinton Machann
  3. pp. 516-523
  4. DOI: 10.1353/vp.2014.0026
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  1. Elizabeth Barrett Browning
  2. Beverly Taylor
  3. pp. 523-535
  4. DOI: 10.1353/vp.2014.0028
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  1. Robert Browning
  2. Suzanne Bailey
  3. pp. 535-551
  4. DOI: 10.1353/vp.2014.0017
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  1. Thomas Hardy
  2. Rosemarie Morgan
  3. pp. 552-560
  4. DOI: 10.1353/vp.2014.0019
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  1. Hopkins
  2. Frank Fennell
  3. pp. 560-568
  4. DOI: 10.1353/vp.2014.0021
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  1. The Poets of the Nineties
  2. Benjamin F. Fisher
  3. pp. 568-570
  4. DOI: 10.1353/vp.2014.0023
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  1. The Pre-Raphaelites
  2. Florence S. Boos
  3. pp. 570-580
  4. DOI: 10.1353/vp.2014.0025
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  1. Tennyson
  2. Linda K. Hughes
  3. pp. 580-588
  4. DOI: 10.1353/vp.2014.0027
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  1. Contributors
  2. pp. 589-590
  3. DOI: 10.1353/vp.2014.0016
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