1. The Unblest Room: Kristeva’s Chora in Sophocles’s Antigone
  2. Beccie Puneet Randhawa
  3. pp. 293-313
  4. DOI: 10.1353/phl.2014.0064
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  1. Hegel’s Poetics of History: Tragic Repetition and Comic Recollection
  2. Bo Earle
  3. pp. 314-331
  4. DOI: 10.1353/phl.2014.0047
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  1. Prisoners of Plot in José Saramago’s The Cave
  2. Zina Giannopoulou
  3. pp. 332-349
  4. DOI: 10.1353/phl.2014.0050
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  1. Looking into the Heart of Light: Considering the Poetic Event in the Work of T. S. Eliot and Martin Heidegger
  2. Dominic Griffiths
  3. pp. 350-367
  4. DOI: 10.1353/phl.2014.0053
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  1. Truth and Value in Rebecca West’s The Return of the Soldier
  2. Jeffrey Hershfield
  3. pp. 368-379
  4. DOI: 10.1353/phl.2014.0056
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  1. Friedrich Nietzsche’s Subjective Artist
  2. J. F. Humphrey
  3. pp. 380-394
  4. DOI: 10.1353/phl.2014.0059
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  1. Being Equal to the Moment: Form as Historical Praxis
  2. John Lysaker
  3. pp. 395-415
  4. DOI: 10.1353/phl.2014.0062
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  1. Interior Portraits in The Magic Mountain and Brain Imaging
  2. Amihud Gilead
  3. pp. 416-432
  4. DOI: 10.1353/phl.2014.0046
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  1. Plato’s Apology of Socrates: A Metaphilosophical Text
  2. John Sellars
  3. pp. 433-445
  4. DOI: 10.1353/phl.2014.0049
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  1. Dogs and Birds in Plato
  2. Janet McCracken
  3. pp. 446-461
  4. DOI: 10.1353/phl.2014.0052
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  1. Losing the Monstrous and the Multiform: The Lessons of Myth in Plato’s Phaedrus
  2. Edvard Lorkovic
  3. pp. 462-478
  4. DOI: 10.1353/phl.2014.0055
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  1. Euthyphro’s Choice
  2. Norman J. Fischer
  3. pp. 479-494
  4. DOI: 10.1353/phl.2014.0058
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  1. Five Readings of Euthyphro
  2. Gene Fendt
  3. pp. 495-509
  4. DOI: 10.1353/phl.2014.0061
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  1. Euthyphro Prosecutes a Human Rights Violation
  2. Eugene Garver
  3. pp. 510-527
  4. DOI: 10.1353/phl.2014.0065
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  1. Ascending from the Ashes: Images of Plato in Bradbury’s Fahrenheit 451
  2. James Filler
  3. pp. 528-548
  4. DOI: 10.1353/phl.2014.0048
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  1. Even Homer Sometimes NODs: Against Hermeneutic Perfectionism
  2. Carlos Spoerhase
  3. pp. 549-562
  4. DOI: 10.1353/phl.2014.0051
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  1. Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting
  2. Evrim Emir-Sayers
  3. pp. 563-572
  4. DOI: 10.1353/phl.2014.0054
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  1. “Eternity Looking through Time”: Sartor Resartus and Frost’s “Stopping by Woods on a Snowy Evening”
  2. James Duban
  3. pp. 573-577
  4. DOI: 10.1353/phl.2014.0057
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  1. Aesthetics, Art, and Biology
  2. Noël Carroll
  3. pp. 578-586
  4. DOI: 10.1353/phl.2014.0060
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  1. Defending Compromise
  2. Michael Fischer
  3. pp. 587-601
  4. DOI: 10.1353/phl.2014.0063
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