In this Issue
For more than thirty years, Philosophy and Literature has explored the dialogue between literary and philosophical studies. The journal offers fresh, stimulating ideas in the aesthetics of literature, theory of criticism, philosophical interpretation of literature, and literary treatment of philosophy. Philosophy and Literature challenges the cant and pretensions of academic priesthoods through its assortment of lively, wide-ranging essays, notes, and reviews that are written in clear, jargon-free prose.
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Johns Hopkins University Pressviewing issue
Volume 38, Number 2, October 2014Table of Contents
- Prisoners of Plot in José Saramago’s The Cave
- pp. 332-349
- DOI: 10.1353/phl.2014.0050
- Friedrich Nietzsche’s Subjective Artist
- pp. 380-394
- DOI: 10.1353/phl.2014.0059
- Dogs and Birds in Plato
- pp. 446-461
- DOI: 10.1353/phl.2014.0052
- Euthyphro’s Choice
- pp. 479-494
- DOI: 10.1353/phl.2014.0058
- Five Readings of Euthyphro
- pp. 495-509
- DOI: 10.1353/phl.2014.0061
- Euthyphro Prosecutes a Human Rights Violation
- pp. 510-527
- DOI: 10.1353/phl.2014.0065
- Aesthetics, Art, and Biology
- pp. 578-586
- DOI: 10.1353/phl.2014.0060
- Defending Compromise
- pp. 587-601
- DOI: 10.1353/phl.2014.0063
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Additional Information
ISSN
1086-329X
Print ISSN
0190-0013
Launched on MUSE
2015-02-19
Open Access
No
Copyright
Copyright © The Johns Hopkins University Press.
