In this Issue

Table of Contents

The Unblest Room: Kristeva’s Chora in Sophocles’s Antigone

Beccie Puneet Randhawa
pp. 293-313
DOI: https://doi.org/10.1353/phl.2014.0064
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Hegel’s Poetics of History: Tragic Repetition and Comic Recollection

Bo Earle
pp. 314-331
DOI: https://doi.org/10.1353/phl.2014.0047
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Prisoners of Plot in José Saramago’s The Cave

Zina Giannopoulou
pp. 332-349
DOI: https://doi.org/10.1353/phl.2014.0050
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Looking into the Heart of Light: Considering the Poetic Event in the Work of T. S. Eliot and Martin Heidegger

Dominic Griffiths
pp. 350-367
DOI: https://doi.org/10.1353/phl.2014.0053
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Truth and Value in Rebecca West’s The Return of the Soldier

Jeffrey Hershfield
pp. 368-379
DOI: https://doi.org/10.1353/phl.2014.0056
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Friedrich Nietzsche’s Subjective Artist

J. F. Humphrey
pp. 380-394
DOI: https://doi.org/10.1353/phl.2014.0059
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Being Equal to the Moment: Form as Historical Praxis

John Lysaker
pp. 395-415
DOI: https://doi.org/10.1353/phl.2014.0062
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Interior Portraits in The Magic Mountain and Brain Imaging

Amihud Gilead
pp. 416-432
DOI: https://doi.org/10.1353/phl.2014.0046
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Plato’s Apology of Socrates: A Metaphilosophical Text

John Sellars
pp. 433-445
DOI: https://doi.org/10.1353/phl.2014.0049
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Dogs and Birds in Plato

Janet McCracken
pp. 446-461
DOI: https://doi.org/10.1353/phl.2014.0052
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Losing the Monstrous and the Multiform: The Lessons of Myth in Plato’s Phaedrus

Edvard Lorkovic
pp. 462-478
DOI: https://doi.org/10.1353/phl.2014.0055
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Euthyphro’s Choice

Norman J. Fischer
pp. 479-494
DOI: https://doi.org/10.1353/phl.2014.0058
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Five Readings of Euthyphro

Gene Fendt
pp. 495-509
DOI: https://doi.org/10.1353/phl.2014.0061
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Euthyphro Prosecutes a Human Rights Violation

Eugene Garver
pp. 510-527
DOI: https://doi.org/10.1353/phl.2014.0065
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Ascending from the Ashes: Images of Plato in Bradbury’s Fahrenheit 451

James Filler
pp. 528-548
DOI: https://doi.org/10.1353/phl.2014.0048
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Even Homer Sometimes NODs: Against Hermeneutic Perfectionism

Carlos Spoerhase
pp. 549-562
DOI: https://doi.org/10.1353/phl.2014.0051
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Gauging Proximities: An Inquiry into a Possible Nexus between Middle Eastern and Western Painting

Evrim Emir-Sayers
pp. 563-572
DOI: https://doi.org/10.1353/phl.2014.0054
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“Eternity Looking through Time”: Sartor Resartus and Frost’s “Stopping by Woods on a Snowy Evening”

James Duban
pp. 573-577
DOI: https://doi.org/10.1353/phl.2014.0057
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Aesthetics, Art, and Biology

Noël Carroll
pp. 578-586
DOI: https://doi.org/10.1353/phl.2014.0060
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Defending Compromise

Michael Fischer
pp. 587-601
DOI: https://doi.org/10.1353/phl.2014.0063
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