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In this Issue

Table of Contents

  1. Ricordi’s Solo Vocal Music, 1808–1857
  2. Jennifer A. Ward
  3. pp. 387-447
  4. DOI: https://doi.org/10.1353/not.2015.0041
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  1. Administration and Curricula of the Introductory Graduate Music Research Course
  2. Jonathan Sauceda
  3. pp. 448-478
  4. DOI: https://doi.org/10.1353/not.2015.0003
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  1. Notes for Notes
  3. pp. 479-480
  4. DOI: https://doi.org/10.1353/not.2015.0010
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  1. Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)
  2. Albrecht Gaub
  3. pp. 481-483
  4. DOI: https://doi.org/10.1353/not.2015.0017
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  1. Greenback Dollar: The Incredible Rise of the Kingston Trio by William J. Bush (review)
  2. Jim Alberts
  3. pp. 483-486
  4. DOI: https://doi.org/10.1353/not.2015.0024
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  1. Grateful Dead and the Art of Rock Improvisation by David Malvinni (review)
  2. Jacob A. Cohen
  3. pp. 486-489
  4. DOI: https://doi.org/10.1353/not.2015.0031
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  1. The Art of Nick Cave: New Critical Essays ed. by John H. Baker, and: Autobiography by Morrissey (review)
  2. Lindsay Hansen
  3. pp. 489-492
  4. DOI: https://doi.org/10.1353/not.2015.0038
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  1. Mr. P. C.: The Life and Music of Paul Chambers by Rob Palmer, and: Wail: The Life of Bud Powell by Peter Pullman (review)
  2. Mark C. Gridley
  3. pp. 492-497
  4. DOI: https://doi.org/10.1353/not.2015.0000
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  1. Federico Moreno Torroba: A Musical Life in Three Acts by Walter Aaron Clark and William Craig Krause (review)
  2. Danielle M. Kuntz
  3. pp. 497-499
  4. DOI: https://doi.org/10.1353/not.2015.0007
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  1. Making Samba: A New History of Race and Music in Brazil by Marc A. Hertzman (review)
  2. Marc Meistrich Gidal
  3. pp. 499-502
  4. DOI: https://doi.org/10.1353/not.2015.0014
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  1. Cumbia!: Scenes of a Migrant Latin American Music Genre ed. by Héctor D. Fernández l’Hoeste and Pablo Vila (review)
  2. Carlos E. Peña
  3. pp. 502-504
  4. DOI: https://doi.org/10.1353/not.2015.0021
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  1. Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making ed. by Suzel Ana Reily and Katherine Brucher (review)
  2. Justin R. Hunter
  3. pp. 504-507
  4. DOI: https://doi.org/10.1353/not.2015.0028
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  1. Charles Ives in the Mirror: American Histories of an Iconic Composer by David C. Paul (review)
  2. Robin Preiss
  3. pp. 507-509
  4. DOI: https://doi.org/10.1353/not.2015.0035
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  1. Music and Ultra-Modernism in France: A Fragile Consensus, 1913–1939 by Barbara L. Kelly (review)
  2. Helen Julia Minors
  3. pp. 509-512
  4. DOI: https://doi.org/10.1353/not.2015.0043
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  1. Japanoise: Music at the Edge of Circulation by David Novak (review)
  2. Shelina Brown
  3. pp. 512-514
  4. DOI: https://doi.org/10.1353/not.2015.0005
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  1. The Oxford Handbook of New Audiovisual Aesthetics ed. by John Richardson, Claudia Gorbman, and Carol Vernallis (review)
  2. Enoch S. A. Jacobus
  3. pp. 514-517
  4. DOI: https://doi.org/10.1353/not.2015.0012
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  1. Dance in Handel’s London Operas by Sarah McCleave (review)
  2. Alison DeSimone
  3. pp. 517-519
  4. DOI: https://doi.org/10.1353/not.2015.0019
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  1. Performing Salome, Revealing Stories ed. by Clair Rowden (review)
  2. Helen Julia Minors
  3. pp. 519-522
  4. DOI: https://doi.org/10.1353/not.2015.0026
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  1. Body Knowledge: Performance, Intermediality, and American Entertainment at the Turn of the Twentieth Century by Mary Simonson (review)
  2. Sarah Fuchs Sampson
  3. pp. 522-525
  4. DOI: https://doi.org/10.1353/not.2015.0033
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  1. City, Chant, and the Topography of Early Music: In Honor of Thomas Forrest Kelly ed. by Michael Scott Cuthbert, Sean Gallagher, and Christoph Wolff (review)
  2. Chadwick Jenkins
  3. pp. 525-527
  4. DOI: https://doi.org/10.1353/not.2015.0040
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  1. The Motet around 1500: On the Relationship of Imitation and Text Treatment? ed. by Thomas Schmidt-Beste (review)
  2. Stephanie P. Schlagel
  3. pp. 527-530
  4. DOI: https://doi.org/10.1353/not.2015.0002
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  1. Correspondence of Franz Liszt and the Comtesse Marie d’Agoult ed. by Michael Short (review)
  2. Jonathan Kregor
  3. pp. 530-532
  4. DOI: https://doi.org/10.1353/not.2015.0009
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  1. Death in Winterreise: Musico-Poetic Associations in Schubert’s Song Cycle by Lauri Suurpää (review)
  2. Loretta Terrigno
  3. pp. 532-534
  4. DOI: https://doi.org/10.1353/not.2015.0016
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 535-539
  4. DOI: https://doi.org/10.1353/not.2015.0023
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  1. New Periodicals
  3. pp. 540-542
  4. DOI: https://doi.org/10.1353/not.2015.0030
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  1. MerMEId: Metadata Editor and Repository for MEI Data by The National Library, Danish Centre for Music Publication (review)
  2. Adam Crandell
  3. pp. 543-544
  4. DOI: https://doi.org/10.1353/not.2015.0037
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  1. Beethoven’s 9th Symphony—The Full Experience by Touch Press (review)
  2. Pamela E. Pagels
  3. pp. 545-547
  4. DOI: https://doi.org/10.1353/not.2015.0044
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  1. Alice in Wonderland by Unsuk Chin (review)
  2. Long Wang, Min Wang
  3. pp. 548-550
  4. DOI: https://doi.org/10.1353/not.2015.0006
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  1. Richard Strauss and His Heroines dir. by Thomas von Steinaecker (review)
  2. Colette Simonot-Maiello
  3. pp. 550-551
  4. DOI: https://doi.org/10.1353/not.2015.0013
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  1. Paul Tortelier. The Complete Musician dir. by Peter Amman (review)
  2. Roderick L. Sharpe
  3. pp. 551-552
  4. DOI: https://doi.org/10.1353/not.2015.0020
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  1. A Tribute to Krzysztof Penderecki: Marking the Composer’s 80th Birthday dir. by Michael Beyer (review)
  2. Paul Beaudoin
  3. pp. 552-553
  4. DOI: https://doi.org/10.1353/not.2015.0027
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  1. Conducting Hope dir. by Margie Friedman (review)
  2. Joseph E. Morgan
  3. pp. 553-554
  4. DOI: https://doi.org/10.1353/not.2015.0034
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  1. O Samba dir. by Georges Gachot (review)
  2. Christopher L. Ballengee
  3. pp. 554-555
  4. DOI: https://doi.org/10.1353/not.2015.0042
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  1. Mercedes Sosa: The Voice of Latin America dir. by Rodrigo H. Vila (review)
  2. Alicia Doyle
  3. pp. 555-556
  4. DOI: https://doi.org/10.1353/not.2015.0004
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  1. The Girls in the Band: College Version dir. by Judy Chaikin (review)
  2. Maristella Feustle
  3. pp. 556-557
  4. DOI: https://doi.org/10.1353/not.2015.0011
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  1. The Dave Clark Five and Beyond: Glad All Over dir. by Dave Clark (review)
  2. John Clark
  3. pp. 557-559
  4. DOI: https://doi.org/10.1353/not.2015.0018
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  1. Led Zeppelin: Good Times, Bad Times (review)
  2. Alicia Doyle
  3. pp. 559-560
  4. DOI: https://doi.org/10.1353/not.2015.0025
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  1. The Rolling Stones in the 1970s: The Complete Review dir. by Alex Westbrook (review)
  2. Michael Ashenfelder
  3. pp. 560-561
  4. DOI: https://doi.org/10.1353/not.2015.0032
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  1. Super Duper Alice Cooper; Welcome To His Nightmare dir. by Reginald Harkema, Scot McFadyen, and Sam Dunn (review)
  2. Alexander Carpenter
  3. pp. 561-562
  4. DOI: https://doi.org/10.1353/not.2015.0039
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  1. An Oratorio by Giovanni Paolo Colonna
  2. Marc Vanscheeuwijck
  3. pp. 563-566
  4. DOI: https://doi.org/10.1353/not.2015.0001
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  1. Music from the Berlin Sing-Akademie
  2. Daniel F. Boomhower
  3. pp. 566-569
  4. DOI: https://doi.org/10.1353/not.2015.0008
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  1. Johann Adolph Scheibe and the Passion Tradition in Denmark
  2. Evan Cortens
  3. pp. 569-573
  4. DOI: https://doi.org/10.1353/not.2015.0015
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  1. Early Orchestral Works of Vaughan Williams Recovered
  2. James Brooks Kuykendall
  3. pp. 573-577
  4. DOI: https://doi.org/10.1353/not.2015.0022
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  1. Index to Advertisers
  3. p. 586
  4. DOI: https://doi.org/10.1353/not.2015.0036
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  1. Music Received
  2. David Knapp
  3. pp. 578-585
  4. DOI: https://doi.org/10.1353/not.2015.0029
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