In this Issue

Table of Contents

Distribution’s Return Trip: Two Hollywood Studios, Money, and Japan, 1921–1941

Eric Hoyt
pp. 5-20
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Self-Regulation through Distribution: Censorship and the Comic Book Industry in 1954

Shawna Kidman
pp. 21-37
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Television beyond the Networks: First-Run Syndication of Original Content in the 1970s

Karen Petruska
pp. 38-57
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Redistributing Japanese Television Dorama: The Shadow Economies and Communities around Online Fan Distribution of Japanese Media

Rayna Denison
pp. 58-72
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A Peripheral Market?: Hollywood Majors and the Middle East / North Africa Market

Nolwenn Mingant
pp. 73-87
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Palimpsests of Power: UNESCO-“Sponsored” Film Production and the Construction of a “Global Village,” 1948–1953

Regina Longo
pp. 88-106
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On-Demand Culture: Digital Delivery and the Future of Movies by Chuck Tryon

Annie Major
pp. 107-108
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Wired TV: Laboring Over an Interactive Future ed. by Denise Mann

Laura Felschow
pp. 109-110
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Reading the Bromance: Homosocial Relationships in Film and Television ed. by Michael DeAngelis

Michael Rennett
pp. 111-113
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Spectacular Digital Effects: CGI and Contemporary Cinema by Kristen Whissel

Laura Felschow
pp. 114-115
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Introduction

pp. 1-4
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Number 74, Fall 2014

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Number 76, Fall 2015