1. Editorial Remarks
  2. Graham MacPhee
  3. pp. 1-2
  4. DOI: 10.1353/lit.2015.0005
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  1. Tragic-Dialectical-Perfectionism: On the Ethics of Beckett’s Endgame
  2. Ben Ware
  3. pp. 3-21
  4. DOI: 10.1353/lit.2015.0007
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  1. Utopian Justifications: More’s Utopia, Settler Colonialism, and Contemporary Ecocritical Concerns
  2. Susan Bruce
  3. pp. 23-43
  4. DOI: 10.1353/lit.2015.0009
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  1. Where There is Void: J. H. Prynne’s Kazoo Dreamboats or, On What There is
  2. Wit Pietrzak
  3. pp. 44-61
  4. DOI: 10.1353/lit.2015.0011
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  1. Cynicism and the Cultural Imaginary: Bret Easton Ellis’s Imperial Bedrooms
  2. Graham J. Matthews
  3. pp. 62-88
  4. DOI: 10.1353/lit.2015.0000
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  1. Elvis Has Left the Country: Marronage in Chris Abani’s GraceLand
  2. Erin M. Fehskens
  3. pp. 90-111
  4. DOI: 10.1353/lit.2015.0002
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  1. The Royal Red-Headed Variant: The Prisoner of Zenda and the 1893 Heredity Debates
  2. Paul J. Niemeyer
  3. pp. 112-138
  4. DOI: 10.1353/lit.2015.0004
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  1. Haniel Long’s Pittsburgh Memoranda: Documentary Form and 1930s Political Poetry
  2. Michael S. Begnal
  3. pp. 139-166
  4. DOI: 10.1353/lit.2015.0006
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  1. The Birth of Theory by Andrew Cole (review)
  2. Andrew Eichel
  3. pp. 167-170
  4. DOI: 10.1353/lit.2015.0008
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  1. Fictions of Fact and Value: The Erasure of Logical Positivism in American Literature, 1945–1975 by Michael LeMahieu (review)
  2. Paul Grimstad
  3. pp. 171-173
  4. DOI: 10.1353/lit.2015.0010
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  1. Trials of Arab Modernity: Literary Affects and the New Political by Tarek El-Ariss (review)
  2. Stephen Sheehi
  3. pp. 174-177
  4. DOI: 10.1353/lit.2015.0012
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  1. Wide Awake in Slumberland: Fantasy, Mass Culture, and Modernism in the Art of Winsor McCay by Katherine Roeder (review)
  2. Matt Johnston
  3. pp. 178-181
  4. DOI: 10.1353/lit.2015.0001
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  1. Books Received
  2. pp. 182-184
  3. DOI: 10.1353/lit.2015.0003
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