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In this Issue

Table of Contents

  1. A Contribution to the Leonardo Discussion
  2. Herbert W. Franke
  3. p. 2
  4. restricted access
  1. LASER—Leonardo Art Science Evening Rendezvous
  3. p. 5
  4. restricted access
  1. Composing Perceivable Time
  2. Jenn Kirby
  3. pp. 6-12
  4. restricted access
  1. Color Plates
  3. pp. 13-16
  4. restricted access
  1. Weather as Medium: Art and Meteorological Science
  2. Janine Randerson, Jennifer Salmond, Chris Manford
  3. pp. 16-24
  4. restricted access
  1. Code Bending: A New Creative Coding Practice
  2. Ilias Bergstrom, R. Beau Lotto
  3. pp. 25-13
  4. restricted access
  1. Capturing the Body Live: A Framework for Technological Recognition and Extension of Physical Expression in Performance
  2. Elena Jessop
  3. pp. 32-14
  4. restricted access
  1. Karakuri: Subtle Trickery in Device Art and Robotics Demonstrations at Miraikan
  2. Michael Shea
  3. pp. 40-47
  4. restricted access
  1. Synesthesia: From Cross-Modal to Modality-Free Learning and Knowledge
  2. Roy William, Simone Gumtau, Jenny Mackness
  3. pp. 48-15
  4. restricted access
  1. Lillian F. Schwartz redux: In Movement, Color and 3D Chromostereoscopy
  2. Maureen Nappi
  3. pp. 55-59
  4. restricted access
  1. Technologies of Scientific Visualization
  2. Chris Robinson, Brigitte Nerlich, Chris Toumey
  3. p. 61
  4. restricted access
  1. Technologies of Scientific Visualization
  2. Chris Toumey, Brigitte Nerlich, Chris Robinson
  3. pp. 62-63
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  1. Visualizing the ‘Invisible’
  2. Philip Moriarty
  3. pp. 64-65
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  1. Achromatic Reasoning - On the Relation of Gray and Scale in Radiology
  2. Kathrin Friedrich
  3. pp. 66-67
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  1. The Visual Culture of Brain Imaging
  2. Liv Hausken
  3. pp. 68-69
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  1. Determining the Aesthetic Appeal of Astronomical Images
  2. Lars Lindberg Christensen, Douglas Pierce-Price, Olivier Hainaut
  3. pp. 70-71
  4. restricted access
  1. Scientific Visualisation in Practice: Replicating Experiments at Scale
  2. Thomas Turnbull
  3. pp. 72-73
  4. restricted access
  1. Images in Art and Science and the Quest for a New Image Science
  2. Ingeborg Reichle
  3. pp. 74-75
  4. restricted access
  1. Interpreting Artworks, Interpreting Scientific Images
  2. Catherine Allamel-Raffin
  3. pp. 76-77
  4. restricted access
  1. Visibly Dead: On Making Brain Death Believable
  2. Sky Gross, Shai Lavi
  3. pp. 78-79
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  1. Engines of Creationism?: Intelligent Design, Machine Metaphors and Visual Rhetoric
  2. Gunnar E. Höst, Gustav Bohlin
  3. pp. 80-81
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  1. Commentary on “Digital Art and Experimental Color Systems at Bell Laboratories, 1965–1984”, and: Response by Carolyn L. Kane: Towards A Feminist Media History
  2. A. Michael Noll, Carolyn L. Kane
  3. pp. 83-85
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  1. New Guide to Poetry and Poetics by James Aitchison (review)
  2. Rob Harle
  3. pp. 87-88
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  1. Matter and Consciousness, Third Edition by Paul M. Churchland (review)
  2. Amy Ione
  3. pp. 88-90
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  1. The Atlas of Climate Change: Mapping the World’s Greatest Challenge by Kirstin Dow and Thomas E. Downing (review)
  2. Enzo Ferrara
  3. pp. 90-91
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  1. Constructing an Avant Garde: Art in Brazil, 1949–1979 by Sérgio B. Martins (review)
  2. Mike Leggett
  3. pp. 91-92
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  1. The Sixth Extinction by Elizabeth Kolbert (review)
  2. George Gessert
  3. pp. 92-93
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  1. Conversations on Cognitive Cultural Studies: Literature, Language, and Aesthetics by Frederick Luis Aldama and Patrick Colm Hogan (review)
  2. Jan Baetens
  3. pp. 93-94
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  1. On Listening ed. by Angus Carlyle and Cathy Lane (review)
  2. John F. Barber
  3. pp. 94-95
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  1. Triple Entendre: Furniture Music, Muzak, Muzak-Plus by Hervé Vanel (review)
  2. Brian Reffin Smith
  3. pp. 95-96
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  1. Paper Knowledge: Toward A Media History of Documents by Lisa Gitelman (review)
  2. Jan Baetens
  3. pp. 96-97
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  1. The Aesthetic Brain: How we Evolved to Desire Beauty and Enjoy Art by Anjan Chatterjee (review)
  2. Amy Ione
  3. pp. 97-101
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  1. Leonardo Network News
  2. Maryam Shamlou
  3. pp. 102-103
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  1. Crowdfunding Art, Science and Technology: A Quick Survey of the Burgeoning New Landscape
  2. David Marlett, David Marlett
  3. pp. 104-105
  4. restricted access