1. A Contribution to the Leonardo Discussion
  2. Herbert W. Franke
  3. p. 2
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  1. LASER—Leonardo Art Science Evening Rendezvous
  2. p. 5
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  1. Composing Perceivable Time
  2. Jenn Kirby
  3. pp. 6-12
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  1. Color Plates
  2. pp. 13-16
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  1. Weather as Medium: Art and Meteorological Science
  2. Janine Randerson, Jennifer Salmond, Chris Manford
  3. pp. 16-24
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  1. Code Bending: A New Creative Coding Practice
  2. Ilias Bergstrom, R. Beau Lotto
  3. pp. 25-13
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  1. Capturing the Body Live: A Framework for Technological Recognition and Extension of Physical Expression in Performance
  2. Elena Jessop
  3. pp. 32-14
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  1. Karakuri: Subtle Trickery in Device Art and Robotics Demonstrations at Miraikan
  2. Michael Shea
  3. pp. 40-47
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  1. Synesthesia: From Cross-Modal to Modality-Free Learning and Knowledge
  2. Roy William, Simone Gumtau, Jenny Mackness
  3. pp. 48-15
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  1. Lillian F. Schwartz redux: In Movement, Color and 3D Chromostereoscopy
  2. Maureen Nappi
  3. pp. 55-59
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  1. Technologies of Scientific Visualization
  2. Chris Robinson, Brigitte Nerlich, Chris Toumey
  3. p. 61
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  1. Technologies of Scientific Visualization
  2. Chris Toumey, Brigitte Nerlich, Chris Robinson
  3. pp. 62-63
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  1. Visualizing the ‘Invisible’
  2. Philip Moriarty
  3. pp. 64-65
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  1. Achromatic Reasoning - On the Relation of Gray and Scale in Radiology
  2. Kathrin Friedrich
  3. pp. 66-67
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  1. The Visual Culture of Brain Imaging
  2. Liv Hausken
  3. pp. 68-69
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  1. Determining the Aesthetic Appeal of Astronomical Images
  2. Lars Lindberg Christensen, Douglas Pierce-Price, Olivier Hainaut
  3. pp. 70-71
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  1. Scientific Visualisation in Practice: Replicating Experiments at Scale
  2. Thomas Turnbull
  3. pp. 72-73
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  1. Images in Art and Science and the Quest for a New Image Science
  2. Ingeborg Reichle
  3. pp. 74-75
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  1. Interpreting Artworks, Interpreting Scientific Images
  2. Catherine Allamel-Raffin
  3. pp. 76-77
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  1. Visibly Dead: On Making Brain Death Believable
  2. Sky Gross, Shai Lavi
  3. pp. 78-79
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  1. Engines of Creationism?: Intelligent Design, Machine Metaphors and Visual Rhetoric
  2. Gunnar E. Höst, Gustav Bohlin
  3. pp. 80-81
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  1. New Guide to Poetry and Poetics by James Aitchison (review)
  2. Rob Harle
  3. pp. 87-88
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  1. Matter and Consciousness, Third Edition by Paul M. Churchland (review)
  2. Amy Ione
  3. pp. 88-90
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  1. The Atlas of Climate Change: Mapping the World’s Greatest Challenge by Kirstin Dow and Thomas E. Downing (review)
  2. Enzo Ferrara
  3. pp. 90-91
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  1. Constructing an Avant Garde: Art in Brazil, 1949–1979 by Sérgio B. Martins (review)
  2. Mike Leggett
  3. pp. 91-92
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  1. The Sixth Extinction by Elizabeth Kolbert (review)
  2. George Gessert
  3. pp. 92-93
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  1. Conversations on Cognitive Cultural Studies: Literature, Language, and Aesthetics by Frederick Luis Aldama and Patrick Colm Hogan (review)
  2. Jan Baetens
  3. pp. 93-94
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  1. On Listening ed. by Angus Carlyle and Cathy Lane (review)
  2. John F. Barber
  3. pp. 94-95
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  1. Triple Entendre: Furniture Music, Muzak, Muzak-Plus by Hervé Vanel (review)
  2. Brian Reffin Smith
  3. pp. 95-96
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  1. Paper Knowledge: Toward A Media History of Documents by Lisa Gitelman (review)
  2. Jan Baetens
  3. pp. 96-97
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  1. The Aesthetic Brain: How we Evolved to Desire Beauty and Enjoy Art by Anjan Chatterjee (review)
  2. Amy Ione
  3. pp. 97-101
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  1. Leonardo Network News
  2. Maryam Shamlou
  3. pp. 102-103
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  1. Crowdfunding Art, Science and Technology: A Quick Survey of the Burgeoning New Landscape
  2. David Marlett, David Marlett
  3. pp. 104-105
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