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Table of Contents

  1. El festín de las rupturas en la ensayística de Octavio Paz
  2. Raúl Carrillo Arciniega
  3. pp. 2-12
  4. DOI: https://doi.org/10.1353/cnf.2014.0015
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  1. The Poet’s Fading Face: Alberto Girri, Rafael Cadenas and Posthumanist Latin American Poetry
  2. Sarah Pollack
  3. pp. 13-30
  4. DOI: https://doi.org/10.1353/cnf.2014.0020
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  1. (Sub)Versiones of Discursive Power: “En medio del camino” from Zurita’s Purgatorio
  2. David Faught
  3. pp. 31-46
  4. DOI: https://doi.org/10.1353/cnf.2014.0025
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  1. La construcción de la identidad en El Paseo Ahumada de Enrique Lihn: Una disputa de hegemonías a los pies del pingüino
  2. Roberto Angel G.
  3. pp. 47-56
  4. DOI: https://doi.org/10.1353/cnf.2014.0000
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  1. “Pido que se me coma, / que mi ser en no ser no se mude”: Misticismo y poesía en Clara Janés
  2. Ana Garriga Espino
  3. pp. 57-71
  4. DOI: https://doi.org/10.1353/cnf.2014.0005
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  1. Identidad y movilidad en el cine documental latinoamericano contemporáneo: Familia tipo (2009) e Hija (2011)
  2. Nadia Lie, Pablo Piedras
  3. pp. 72-86
  4. DOI: https://doi.org/10.1353/cnf.2014.0009
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  1. Música y metonimia en Oriana de Fina Torres
  2. Graziella Kirtland Grech
  3. pp. 101-112
  4. DOI: https://doi.org/10.1353/cnf.2014.0018
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  1. Commonsensical Determinism: A Reconsideration of Pereda’s De tal palo, tal astilla
  2. Daniel Brown
  3. pp. 113-125
  4. DOI: https://doi.org/10.1353/cnf.2014.0023
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  1. Segunda parte del ingenioso Guardia Municipal de Tomelloso: Aventuras de Plinio en la capital
  2. Conxita Domènech
  3. pp. 126-137
  4. DOI: https://doi.org/10.1353/cnf.2014.0028
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  1. Absurdity and Utopia in Roberto Bolaño’s Estrella distante and “Sensini”
  2. Lila McDowell Carlsen
  3. pp. 138-151
  4. DOI: https://doi.org/10.1353/cnf.2014.0003
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  1. The Cost of Dreams of Utopia: Neocolonialism in Juan Rulfo’s Pedro Páramo and Cormac McCarthy’s All the Pretty Horses
  2. Susan Savage Lee
  3. pp. 152-170
  4. DOI: https://doi.org/10.1353/cnf.2014.0007
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  1. Cine nacional comprometido con la juventud nicaragüense: Entrevista con la directora Florence Jaugey
  2. Ana Adams, K. Angelique Dwyer
  3. pp. 172-185
  4. DOI: https://doi.org/10.1353/cnf.2014.0011
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  1. “What was and what is”
  2. Maceo Montoya
  3. pp. 188-189
  4. DOI: https://doi.org/10.1353/cnf.2014.0016
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  1. Public Intellectuals and Historical Memory
  2. Priscilla Falcon
  3. pp. 190-191
  4. DOI: https://doi.org/10.1353/cnf.2014.0021
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  1. Heterogeneidad productiva: El cine latinoamericano en antología
  2. Verónica Garibotto
  3. pp. 192-193
  4. DOI: https://doi.org/10.1353/cnf.2014.0026
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  1. Masculinidades en el cine argentino
  2. Marina Moguillansky
  3. pp. 194-195
  4. DOI: https://doi.org/10.1353/cnf.2014.0001
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  1. La novela Shopping de Gloria Lenardón
  2. Edith Dimo
  3. pp. 196-197
  4. DOI: https://doi.org/10.1353/cnf.2014.0006
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  1. La voracidad de la escritura
  2. Adriana Mancini
  3. pp. 198-200
  4. DOI: https://doi.org/10.1353/cnf.2014.0010
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  1. Crítica y meneítos (para arriba y para abajo)
  2. Elsa Drucaroff
  3. pp. 201-203
  4. DOI: https://doi.org/10.1353/cnf.2014.0014
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  1. Un compromiso indisoluble
  2. Alfonso Rodríguez
  3. pp. 204-205
  4. DOI: https://doi.org/10.1353/cnf.2014.0019
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  1. From Pancho’s Hankie to Pablo’s Hippo: An Interdisciplinary Tour of Latin American Popular Culture
  2. Emily Hind
  3. pp. 206-208
  4. DOI: https://doi.org/10.1353/cnf.2014.0024
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  1. Tizones del silencio y rencor en Humo rojo de Perla Suez
  2. Rhonda Dahl Buchanan
  3. pp. 209-210
  4. DOI: https://doi.org/10.1353/cnf.2014.0029
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  1. After Translation: Displacing Modernism’s Geopolitical Centers
  2. Marta del Pozo
  3. pp. 211-212
  4. DOI: https://doi.org/10.1353/cnf.2014.0004
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  1. Qué hacer con Góngora
  2. Luis F. Avilěs
  3. pp. 213-215
  4. DOI: https://doi.org/10.1353/cnf.2014.0008
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  1. Empire, Emotion, and Ethics: Reading the Finde-Siècle Essay on National Identity in Spain
  2. Leslie J. Harkema
  3. pp. 216-218
  4. DOI: https://doi.org/10.1353/cnf.2014.0012
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  1. Documental, memoria e identidad democrática en la España contemporánea
  2. Diana Roxana Jorza
  3. pp. 219-221
  4. DOI: https://doi.org/10.1353/cnf.2014.0017
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  1. The bones rattle in their new boxes
  2. A. Gabriel Meléndez
  3. pp. 224-226
  4. DOI: https://doi.org/10.1353/cnf.2014.0022
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  1. Vedado
  2. Edwin Murillo
  3. pp. 227-229
  4. DOI: https://doi.org/10.1353/cnf.2014.0027
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  1. Una familia de octubre
  2. Angélica García Genel
  3. pp. 230-235
  4. DOI: https://doi.org/10.1353/cnf.2014.0002
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